diff options
| author | Bill <bill@billserver.senders.io> | 2023-04-01 21:31:09 -0400 |
|---|---|---|
| committer | Bill <bill@billserver.senders.io> | 2023-04-01 21:31:09 -0400 |
| commit | a0fbc8e612091c3299e193da44e7dde426776dea (patch) | |
| tree | e5064c26171e0f3bcfa08348e5c32100646b09fc /www | |
| parent | 7726e085be032884b855ae20f45a316460f93ec8 (diff) | |
Commit files after some time
mp3s committed - we likely need to sort those out w/ git
Diffstat (limited to 'www')
27 files changed, 1151 insertions, 58 deletions
diff --git a/www/blog/feed.rss b/www/blog/feed.rss index f929be1..a36438f 100644 --- a/www/blog/feed.rss +++ b/www/blog/feed.rss @@ -7,8 +7,398 @@ <copyright>2023 senders dot io - CC BY-SA 4.0</copyright> <language>en-US</language> <ttl>60</ttl> - <lastBuildDate>Fri, 06 Jan 2023 18:56:10 -0500</lastBuildDate> - <pubDate>Fri, 06 Jan 2023 00:00:00 -0500</pubDate> + <lastBuildDate>Sat, 18 Mar 2023 23:12:23 -0400</lastBuildDate> + <pubDate>Sat, 18 Mar 2023 23:12:23 -0400</pubDate> + <item> + <title>Music: A Tour de Chorus</title> + <link>https://www.senders.io/blog/music/2023-03-18/</link> + <guid isPermaLink="true">https://www.senders.io/blog/music/2023-03-18/index.html</guid> + <pubDate>Sat, 18 Mar 2023 23:12:23 -0400</pubDate> + <description> + <![CDATA[ + <article> + <h1>A Tour de Chorus</h1> + <p>I've been talking a lot about chorus on my mastodon, like, A LOT. + So I thought it would be fun to explore my chorus pedals a bit and + present this information in some shareable way, since no one wants to + listen to 18 minutes of audio in a row.</p> + <h2>What's on display</h2> + <p>So I have three chorus pedals to show off today:</p> + <ul> + <li>Boss CE-20</li> + <li>Warlus Audio Julia</li> + <li>Multivox CB-1 Chorus Box</li> + </ul> + <h2>The other gear</h2> + <p>I will be playing each of these pedals through my THR-100HD (see + <a href="/blog/music/2023-01-06/" + rel="me noopener" + target="_blank">my previous music blog post</a> in which I deep dive a + bit into this amp). It's running on the crunch channel, just at + the edge of breakup, with little to no reverb.</p> + <p>As for guitar. I am using my Reverend Descent RA Baritone</p> + <h2>The demos</h2> + <p>For each of these demos I will be playing the same loop (mostly). I + recorded a loop into my Boss RC-3 to remove any playing bias towards the + more warbely chorus tones, and to make it easier for me! Each demo is + about 48s long (depending on how good my trimming was). I added a bit of + EQ in post to cut out some digital hum introduced when pairing my CE-20 + with my RC-3 so sorry about that...</p> + <p>Let's start with the clean tone:</p> + <figure> + <audio controls=""><source src="/blog/music/2023-03-18/audio/clean.mp3"> + <p>Download <a href="/blog/music/2023-03-18/audio/clean.mp3" + rel="me noopner" + target="_blank">MP3</a></p></audio> + </figure>This loop is something I had been noodling on all week, while on + my chorus kick. I feel it's actually a decent demo because it calls + on a lot of classic chorus sounds. Individually picked notes, bright open + strings, and then at the end some Nirvana-like dark power chord picking. + All classic chorus sounds to me. + <h3>CE-20</h3> + <p>Next we can go through the CE-20. The CE-20 has 4 modes we'll be + demoing, but there are a total of 6. We are demoing the "Rich", + "Standard", "Dimensional D", and "CE-1" + settings. I skipped the "Acoustic" and "Bass" + settings as they've always felt like some slight EQ on the + "standard" mode.</p> + <h4>Standard</h4> + <p>We can start with "Standard" as it's the most "boss + chorus". Though I personally feel it lacks a bit of the bite the + CE-1 and CE-2 offer. But it wouldn't surprise me if + "Standard" was just a CE-2.</p> + <figure> + <figcaption> + CE-20 Standard Mode - Rate 10 o'clock, Depth 2 o'clock + </figcaption><audio controls=""><source src= + "/blog/music/2023-03-18/audio/ce-20-standard-r10-d2.mp3"> + <p>Download <a href="/blog/music/2023-03-18/audio/ce-20-standard-r10-d2.mp3" + rel="me noopner" + target="_blank">MP3</a></p></audio> + </figure> + <figure> + <figcaption> + CE-20 Standard Mode - Rate 2 o'clock, Depth 10 o'clock + </figcaption><audio controls=""><source src= + "/blog/music/2023-03-18/audio/ce-20-standard-r2-d10.mp3"> + <p>Download <a href="/blog/music/2023-03-18/audio/ce-20-standard-r2-d10.mp3" + rel="me noopner" + target="_blank">MP3</a></p></audio> + </figure> + <h4>Rich</h4> + <p>Let's compare this with the "Rich" mode. And keep in + mind the only settings I will be changing between these CE-20 modes is + the rate and depth. There is actually quite a bit of tone controlling you + get in the CE-20. But I generally keep those fairly static based on my + guitar and amp settings, and for the purposes of these demos are + static.</p> + <figure> + <figcaption> + CE-20 Rich Mode - Rate 10 o'clock, Depth 2 o'clock + </figcaption><audio controls=""><source src= + "/blog/music/2023-03-18/audio/ce-20-rich-r10-d2.mp3"> + <p>Download <a href="/blog/music/2023-03-18/audio/ce-20-rich-r10-d2.mp3" + rel="me noopner" + target="_blank">MP3</a></p></audio> + </figure> + <h4>Dimensional D</h4> + <p>This mode is a recreation of the SDD-320 Dimension D effects unit, + later made into the Boss DC-2. This effect is one of my favorite + choruses. It's so unique. On the CE-20 there are 7 modes: 1 - 4, as + well as 3 "combo" modes: 1+4, 2+4, and 3+4. These map directly + to their SDD-320 counterparts, which also let you stack the modes + together. This really shines in stereo, but since the Julia is mono, I + felt it's only fair to use these how I use them on my board.</p> + <figure> + <figcaption> + CE-20 Dimensional D Mode - Mode 3 + </figcaption><audio controls=""><source src= + "/blog/music/2023-03-18/audio/ce-20-dimensional-d-3.mp3"> + <p>Download <a href="/blog/music/2023-03-18/audio/ce-20-dimensional-d-3.mp3" + rel="me noopner" + target="_blank">MP3</a></p></audio> + </figure> + <figure> + <figcaption> + CE-20 Dimensional D Mode - Mode 4 + </figcaption><audio controls=""><source src= + "/blog/music/2023-03-18/audio/ce-20-dimensional-d-4.mp3"> + <p>Download <a href="/blog/music/2023-03-18/audio/ce-20-dimensional-d-4.mp3" + rel="me noopner" + target="_blank">MP3</a></p></audio> + </figure> + <figure> + <figcaption> + CE-20 Dimensional D Mode - Mode 3+4 + </figcaption><audio controls=""><source src= + "/blog/music/2023-03-18/audio/ce-20-dimensional-d-3-4.mp3"> + <p>Download <a href="/blog/music/2023-03-18/audio/ce-20-dimensional-d-3-4.mp3" + rel="me noopner" + target="_blank">MP3</a></p></audio> + </figure> + <p>These are always so cool to hear. When you get into the combo modes + you start getting more "chorus" and less just + "width/movement". But these are interesting to listen to + compared to the clean. There is subtle differences - but they're + there! It's almost like it is now less stark and smoother. Like the + notes are lathered in butter, mmm!</p> + <h4>CE -1</h4> + <p>Okay, now on to the real show, the CE-1. Not much to say about this + one. It's a CE-1, you have an "intensity" knob, and + it's so rich. The delay rate is much slower than you would expect, + almost logarithmic. But when you get past noon it starts to get quite + seasick.<br> + <small><em>Editors note: 7 o'clock may be a bit higher than 7. None + of these pedals have freaking numbers on their knobs, so it's all a + guess. But it's a bit up from off</em></small></p> + <figure> + <figcaption> + CE-20 CE-1 Mode - Intensity 7 o'clock + </figcaption><audio controls=""><source src= + "/blog/music/2023-03-18/audio/ce-20-ce-1-7oclock.mp3"> + <p>Download <a href="/blog/music/2023-03-18/audio/ce-20-ce-1-7oclock.mp3" + rel="me noopner" + target="_blank">MP3</a></p></audio> + </figure> + <figure> + <figcaption> + CE-20 CE-1 Mode - Intensity 10 o'clock + </figcaption><audio controls=""><source src= + "/blog/music/2023-03-18/audio/ce-20-ce-1-10oclock.mp3"> + <p>Download <a href="/blog/music/2023-03-18/audio/ce-20-ce-1-10oclock.mp3" + rel="me noopner" + target="_blank">MP3</a></p></audio> + </figure> + <h3>Multivox CB-1 Chorus Box</h3> + <p>The Multivox CB-1 Chorus Box is a CE-1 clone, according to the gear + page, it's literally just the same circuit and components. I got my 5 + years ago because, well, I love chorus. Currently, a part of my rack unit + to be used with my synths, this chorus is just so smooth. But the biggest + trouble is dialing in the right level. You'll notice for the CB-1 + demos it's a different demo recording. I had to move my setup and I + accidentally wiped the RC-3. But because the CB-1 can be a bit tricky to + dial in, it's a bit quieter than the other demo tracks. But the level + control is one of my favorites, as it can add some crunch to the tone on + the peaks, adding a lot of flavor. I am running my guitar through the + "hi" input, because it gives me a bit more play with the input + level.</p> + <h4>Chorus</h4> + <figure> + <figcaption> + CB-1 Chorus Mode - Intensity 7 o'clock + </figcaption><audio controls=""><source src="/blog/music/2023-03-18/audio/cb-1-7oclock.mp3"> + <p>Download <a href="/blog/music/2023-03-18/audio/cb-1-7oclock.mp3" + rel="me noopner" + target="_blank">MP3</a></p></audio> + </figure> + <figure> + <figcaption> + CB-1 Chorus Mode - Intensity 10 o'clock + </figcaption><audio controls=""><source src= + "/blog/music/2023-03-18/audio/cb-1-10oclock.mp3"> + <p>Download <a href="/blog/music/2023-03-18/audio/cb-1-10oclock.mp3" + rel="me noopner" + target="_blank">MP3</a></p></audio> + </figure> + <figure> + <figcaption> + CB-1 Chorus Mode - Intensity 2 o'clock + </figcaption><audio controls=""><source src="/blog/music/2023-03-18/audio/cb-1-2oclock.mp3"> + <p>Download <a href="/blog/music/2023-03-18/audio/cb-1-2oclock.mp3" + rel="me noopner" + target="_blank">MP3</a></p></audio> + </figure> + <h4>Vibrato</h4> + <p>While this is mono, so it's acting like a straight vibrato. When + playing in stereo this creates it's own chorus, the stereo outs are + "dry" and "wet". This differs from the CE-1 chorus + too, so it's like 2 chorus pedals in one. These demos are in + mono.</p> + <figure> + <figcaption> + CB-1 Vibrato Mode - Rate 10 o'clock, Depth 2 o'clock + </figcaption><audio controls=""><source src= + "/blog/music/2023-03-18/audio/cb-1-vibrato-d2-r10.mp3"> + <p>Download <a href="/blog/music/2023-03-18/audio/cb-1-vibrato-d2-r10.mp3" + rel="me noopner" + target="_blank">MP3</a></p></audio> + </figure> + <figure> + <figcaption> + CB-1 Vibrato Mode - Rate 2 o'clock, Depth 10 o'clock + </figcaption><audio controls=""><source src= + "/blog/music/2023-03-18/audio/cb-1-vibrato-d10-r2.mp3"> + <p>Download <a href="/blog/music/2023-03-18/audio/cb-1-vibrato-d10-r2.mp3" + rel="me noopner" + target="_blank">MP3</a></p></audio> + </figure> + <h4>CB-1 Off with Level Boost</h4> + <p>The CB-1 when over driven (just by the guitar itself) gets really warm + crunch to signal, and it's a lot of fun. I usually run my Model D + through this and I love it.</p> + <figure> + <figcaption> + CB-1 Off - Level to a point where when I dig in it clips heavily + </figcaption><audio controls=""><source src= + "/blog/music/2023-03-18/audio/cb-1-off-with-level.mp3"> + <p>Download <a href="/blog/music/2023-03-18/audio/cb-1-off-with-level.mp3" + rel="me noopner" + target="_blank">MP3</a></p></audio> + </figure> + <h3>Walrus Audio Julia</h3> + <p>I picked up the Julia because it's such a versatile chorus: giving + you control over the rate, depth, lag, waveform, and mix. This lets you + craft basically ANY chorus sound you want. Exploring sounds, I've + noticed the major limiter being the rate. The Julia is just SO fast. Even + at min rate, it's still faster than like 1/3 of the Boss rates. But + the sounds are still amazing!</p> + <figure> + <figcaption> + Julia - Triangle Wave, Rate 7 o'clock, Depth 2 o'clock, Lag 3 + o'clock, Mix 12 o'clock (chorus) + </figcaption><audio controls=""><source src= + "/blog/music/2023-03-18/audio/julia-chorus-1.mp3"> + <p>Download <a href="/blog/music/2023-03-18/audio/julia-chorus-1.mp3" + rel="me noopner" + target="_blank">MP3</a></p></audio> + </figure> + <figure> + <figcaption> + Julia - Sine Wave, Rate 10 o'clock, Depth 2 o'clock, Lag 9 + o'clock, Mix 12 o'clock (chorus) + </figcaption><audio controls=""><source src= + "/blog/music/2023-03-18/audio/julia-chorus-2.mp3"> + <p>Download <a href="/blog/music/2023-03-18/audio/julia-chorus-2.mp3" + rel="me noopner" + target="_blank">MP3</a></p></audio> + </figure> + <figure> + <figcaption> + Julia - Sine Wave, Rate 9 o'clock, Depth 3 o'clock, Lag 9 + o'clock, Mix 12 o'clock (chorus) + </figcaption><audio controls=""><source src= + "/blog/music/2023-03-18/audio/julia-chorus-3.mp3"> + <p>Download <a href="/blog/music/2023-03-18/audio/julia-chorus-3.mp3" + rel="me noopner" + target="_blank">MP3</a></p></audio> + </figure> + <figure> + <figcaption> + Julia - Triangle Wave, Rate 8 o'clock, Depth 12 o'clock, Lag + 12 o'clock, Mix 5 o'clock (vibrato, max) + </figcaption><audio controls=""><source src= + "/blog/music/2023-03-18/audio/julia-vibrato.mp3"> + <p>Download <a href="/blog/music/2023-03-18/audio/julia-vibrato.mp3" + rel="me noopner" + target="_blank">MP3</a></p></audio> + </figure> + <h2>Thoughts</h2> + <p>Realistically? I love every single one of these choruses. It's + such an amazing effect, and I was messing around with the dirty channel + too, which still sounded great! The CB-1 was by no means a steal, but + it's my favorite chorus tone. But it comes with some quirks being a + late 70, early 80s device. The CE-20 is amazing but very much a "mid + 00s digital pedal" giving some of that digital-ness to it, + especially when mixing with other digital pedals. I'm sure you heard + the high pitched wine in the background. I EQ'd it out, but it's + there, and it bothers me. I think getting a CE-2w would give me a lot of + the options I want from this, without those digital artifacts. The CE-20 + would be perfect if it had a vibrato mode, given the CE-1 has one, and + really make it the perfect all-in-one. But given I've had this pedal + for at least 12 years (probably closer to 13. I can dig out the box and + see if I kept the receipt). I got in in college as my first ever chorus. + I was enamoured with it. I'd be on my board today if it wasn't so + big. The Julia is the perfect multi-tool chorus, and I've been really + happy with it. But it lacks that really SLOW rate that the Boss pedals + have, making it a BIT harder to really dial in the CE-1 tones.</p> + <p>I joked on mastodon that I was did this to convince myself I don't + NEED a CE-2w or DC-2w...and now I want them even more!</p> + </article> + ]]> + </description> + </item> + <item> + <title>Music: Reworking my THR100HD</title> + <link>https://www.senders.io/blog/music/2023-01-06/</link> + <guid isPermaLink="true">https://www.senders.io/blog/music/2023-01-06/index.html</guid> + <pubDate>Fri, 06 Jan 2023 00:00:00 -0500</pubDate> + <description> + <![CDATA[ + <article> + <h1>Music Blog?!</h1> + <p>I wanted to make a little blog section to just talk about my music + making. Mainly, to save my friends from enduring my thinking out + loud.</p> + <h2>Reworking my THR100HD</h2> + <p>I have a <a href= + "https://usa.yamaha.com/products/musical_instruments/guitars_basses/amps_accessories/thr100hd/index.html" + rel="external noopener noreferrer" + target="_blank">Yamaha THR100H Dual</a> which is a nice modeling amp + with two "amps". Typically, I run these in parallel so I am + running through BOTH at the same time. As of late I am actually + considering moving to dialing in separate tones, and using my <a href= + "https://www.joyoaudio.com/product/88.html" + rel="external noopener noexternal" + target="_blank">Joyo PXL-Live</a> to act as a "channel" + switcher.</p> + <h3>Dual Amping</h3> + <p>Honestly, dual amping is my <em>favorite</em> thing. And I would hate + to give it up, as it gives my tones SO much depth. But I find when I try + to mix my guitars that extra depth just makes mixing a bit more of a + hassle than need be. But Mick of "That Pedal Show" on YouTube I + feel feels similarly, considering in <a href= + "https://www.youtube.com/watch?v=uMvhraRDvDs" + rel="noopener external noreferrer" + target="_blank">one of their "use less" challenge videos</a> + he used two amps for maximum tone shaping - which I feel adds some + justification to my efforts!</p> + <h2>Results after one night</h2> + <p>I spent an hour or so tonight messing around with my setup and came + out with the following high gain tone:</p> + <figure> + <figcaption> + "Rezzed" - Hi-gain dual amped Baritone guitar + </figcaption><audio controls=""><source src= + "/blog/music/2023-01-06/audio/rezzed-senders-io-audio.mp3"> + <source src="/blog/music/2023-01-06/audio/rezzed-senders-io-audio.ogg"> + <p>Download <a href= + "/blog/music/2023-01-06/audio/rezzed-senders-io-audio.mp3" + rel="me noopner" + target="_blank">MP3</a> or <a href= + "/blog/music/2023-01-06/audio/rezzed-senders-io-audio.ogg" + rel="me noopner" + target="_blank">OGG</a></p></audio> + <figcaption> + <em><small>No copyright</small></em> + </figcaption> + </figure> + <h3>Thoughts</h3> + <p>I feel its a bit... boomy still. There is some extra weight coming + from the "clean" channel that I think is causing this to lose + some clarity. I don't think if I wanted to add a mix around this + I'd even end up keeping it. Or I would do some heavy EQing to that + channel. Here is what I have dialed in so far:</p> + <figure> + <img src= + "/blog/music/2023-01-06/img/thr100hd-settings-senders-io-img.jpg" + alt= + "A photo of the front face knobs of my Yamaha THR100HD. The top amp is set to the clean setting, the booster is turned off. The gain is roughly at 3 O'Clock, Master at 9 O'Clock, Bass at 10 O'Clock, Middle at 2 O'Clock, Presense off, Rever off, and Volume at 11 O'Clock. The bottom amp is set to Modern, with the booster turned off. The gain is set to around 2:30, Master at 10 O'Clock, Bass at a bit below 9 O'Clock, Middle at 2 O'Clock, Treble at 1 O'Clock, Presents at 1:30, Rever off, and Volume a little above 9 O'Clock" + role="img" + width="100%"> + <figcaption> + <em>Current dual amp settings</em> + </figcaption> + </figure> + <h2>Future</h2> + <p>In the future I plan to setup different profiles between each the 5 + channels per amp - so they're all useable and I can just do single + amping - as that provides me the FX loop until I setup a proper stereo + board. But until then - this is the setup I've been using and I + rarely touch the back!</p> + </article> + ]]> + </description> + </item> <item> <title>How I Generate My RSS Feed</title> <link>https://www.senders.io/blog/2023-01-06/</link> diff --git a/www/blog/index.html b/www/blog/index.html index 4615f50..f5dc542 100644 --- a/www/blog/index.html +++ b/www/blog/index.html @@ -33,6 +33,14 @@ <h1>Blog Index</h1> <ol> <li> + <a href="/blog/music/2023-03-18/">2023-03-18 - Music: A Tour de + Chorus</a> + </li> + <li> + <a href="/blog/music/2023-01-06/">2023-01-06 - Music: Reworking my + THR100HD</a> + </li> + <li> <a href="/blog/2023-01-06/">2023-01-06 - How I Generate My RSS Feed</a> </li> diff --git a/www/blog/music/2023-01-06/index.html b/www/blog/music/2023-01-06/index.html index c539a73..44dcfb6 100644 --- a/www/blog/music/2023-01-06/index.html +++ b/www/blog/music/2023-01-06/index.html @@ -4,7 +4,7 @@ <meta charset="utf-8"> <meta name="generator" content="HTML Tidy for HTML5 for Linux version 5.6.0"> - <title>senders.io - PAGE_TITLE</title> + <title>senders.io - music blog - 2023-01-06</title> <link rel='stylesheet' type='text/css' href='/index.css'> @@ -63,12 +63,13 @@ <figcaption> "Rezzed" - Hi-gain dual amped Baritone guitar </figcaption><audio controls=""><source src= - "./audio/rezzed-senders-io-audio.mp3"> <source src= - "./audio/rezzed-senders-io-audio.ogg"> - <p>Download <a href="./audio/rezzed-senders-io-audio.mp3" + "/blog/music/2023-01-06/audio/rezzed-senders-io-audio.mp3"> + <source src="/blog/music/2023-01-06/audio/rezzed-senders-io-audio.ogg"> + <p>Download <a href= + "/blog/music/2023-01-06/audio/rezzed-senders-io-audio.mp3" rel="me noopner" target="_blank">MP3</a> or <a href= - "./audio/rezzed-senders-io-audio.ogg" + "/blog/music/2023-01-06/audio/rezzed-senders-io-audio.ogg" rel="me noopner" target="_blank">OGG</a></p></audio> <figcaption> @@ -82,7 +83,8 @@ I'd even end up keeping it. Or I would do some heavy EQing to that channel. Here is what I have dialed in so far:</p> <figure> - <img src="./img/thr100hd-settings-senders-io-img.jpg" + <img src= + "/blog/music/2023-01-06/img/thr100hd-settings-senders-io-img.jpg" alt= "A photo of the front face knobs of my Yamaha THR100HD. The top amp is set to the clean setting, the booster is turned off. The gain is roughly at 3 O'Clock, Master at 9 O'Clock, Bass at 10 O'Clock, Middle at 2 O'Clock, Presense off, Rever off, and Volume at 11 O'Clock. The bottom amp is set to Modern, with the booster turned off. The gain is set to around 2:30, Master at 10 O'Clock, Bass at a bit below 9 O'Clock, Middle at 2 O'Clock, Treble at 1 O'Clock, Presents at 1:30, Rever off, and Volume a little above 9 O'Clock" role="img" diff --git a/www/blog/music/2023-03-18/a-tour-de-chorus.html b/www/blog/music/2023-03-18/a-tour-de-chorus.html new file mode 100644 index 0000000..54c8c64 --- /dev/null +++ b/www/blog/music/2023-03-18/a-tour-de-chorus.html @@ -0,0 +1,340 @@ +<!DOCTYPE html> +<html lang="en"> +<head> + <meta charset="utf-8"> + <meta name="generator" + content="HTML Tidy for HTML5 for Linux version 5.6.0"> + <title>senders.io - music blog - 2023-03-18</title> + <link rel='stylesheet' + type='text/css' + href='/index.css'> + <meta name="viewport" + content="width=device-width, initial-scale=1"> +</head> +<body> + <div id='header'> + <a class='title' + href='/'>senders.io</a> + <nav> + <a href="/blog">blog</a> <a rel="external noopener noreferrer" + target="_blank" + href="https://github.com/s3nd3r5">github</a> <a rel= + "external noopener noreferrer" + target="_blank" + href="https://git.senders.io">cgit</a> <a rel= + "me external noopener noreferrer" + target="_blank" + href="https://mastodon.online/@senders">mastodon</a> + </nav> + </div> + <div id="body"> + <article> + <h1>A Tour de Chorus</h1> + <p>I've been talking a lot about chorus on my mastodon, like, A LOT. + So I thought it would be fun to explore my chorus pedals a bit and + present this information in some shareable way, since no one wants to + listen to 18 minutes of audio in a row.</p> + <h2>What's on display</h2> + <p>So I have three chorus pedals to show off today:</p> + <ul> + <li>Boss CE-20</li> + <li>Warlus Audio Julia</li> + <li>Multivox CB-1 Chorus Box</li> + </ul> + <h2>The other gear</h2> + <p>I will be playing each of these pedals through my THR-100HD (see + <a href="/blog/music/2023-01-06/" + rel="me noopener" + target="_blank">my previous music blog post</a> in which I deep dive a + bit into this amp). It's running on the crunch channel, just at + the edge of breakup, with little to no reverb.</p> + <p>As for guitar - I am using my Reverend Descent RA Baritone.</p> + <h2>The demos</h2> + <p>For each of these demos I will be playing the same loop (mostly). I + recorded a loop into my Boss RC-3 to remove any playing bias towards the + more warbely chorus tones, and to make it easier for me! Each demo is + about 48s long (depending on how good my trimming was). I added a bit of + EQ in post to cut out some digital hum introduced when pairing my CE-20 + with my RC-3 so sorry about that...</p> + <p>Let's start with the clean tone:</p> + <figure> + <audio controls=""><source src="/blog/music/2023-03-18/audio/clean.mp3"> + <p>Download <a href="/blog/music/2023-03-18/audio/clean.mp3" + rel="me noopner" + target="_blank">MP3</a></p></audio> + </figure>This loop is something I had been noodling on all week, while on + my chorus kick. I feel it's actually a decent demo because it calls + on a lot of classic chorus sounds. Individually picked notes, bright open + strings, and then at the end some Nirvana-like dark power chord picking. + All classic chorus sounds to me. + <h3>CE-20</h3> + <p>Next we can go through the CE-20. The CE-20 has 4 modes we'll be + demoing, but there are a total of 6. We are demoing the "Rich", + "Standard", "Dimensional D", and "CE-1" + settings. I skipped the "Acoustic" and "Bass" + settings as they've always felt like some slight EQ on the + "standard" mode.</p> + <h4>Standard</h4> + <p>We can start with "Standard" as it's the most "boss + chorus". Though I personally feel it lacks a bit of the bite the + CE-1 and CE-2 offer. But it wouldn't surprise me if + "Standard" was just a CE-2.</p> + <figure> + <figcaption> + CE-20 Standard Mode - Rate 10 o'clock, Depth 2 o'clock + </figcaption><audio controls=""><source src= + "/blog/music/2023-03-18/audio/ce-20-standard-r10-d2.mp3"> + <p>Download <a href="/blog/music/2023-03-18/audio/ce-20-standard-r10-d2.mp3" + rel="me noopner" + target="_blank">MP3</a></p></audio> + </figure> + <figure> + <figcaption> + CE-20 Standard Mode - Rate 2 o'clock, Depth 10 o'clock + </figcaption><audio controls=""><source src= + "/blog/music/2023-03-18/audio/ce-20-standard-r2-d10.mp3"> + <p>Download <a href="/blog/music/2023-03-18/audio/ce-20-standard-r2-d10.mp3" + rel="me noopner" + target="_blank">MP3</a></p></audio> + </figure> + <h4>Rich</h4> + <p>Let's compare this with the "Rich" mode. And keep in + mind the only settings I will be changing between these CE-20 modes is + the rate and depth. There is actually quite a bit of tone controlling you + get in the CE-20. But I generally keep those fairly static based on my + guitar and amp settings, and for the purposes of these demos are + static.</p> + <figure> + <figcaption> + CE-20 Rich Mode - Rate 10 o'clock, Depth 2 o'clock + </figcaption><audio controls=""><source src= + "/blog/music/2023-03-18/audio/ce-20-rich-r10-d2.mp3"> + <p>Download <a href="/blog/music/2023-03-18/audio/ce-20-rich-r10-d2.mp3" + rel="me noopner" + target="_blank">MP3</a></p></audio> + </figure> + <h4>Dimensional D</h4> + <p>This mode is a recreation of the SDD-320 Dimension D effects unit, + later made into the Boss DC-2. This effect is one of my favorite + choruses. It's so unique. On the CE-20 there are 7 modes: 1 - 4, as + well as 3 "combo" modes: 1+4, 2+4, and 3+4. These map directly + to their SDD-320 counterparts, which also let you stack the modes + together. This really shines in stereo, but since the Julia is mono, I + felt it's only fair to use these how I use them on my board.</p> + <figure> + <figcaption> + CE-20 Dimensional D Mode - Mode 3 + </figcaption><audio controls=""><source src= + "/blog/music/2023-03-18/audio/ce-20-dimensional-d-3.mp3"> + <p>Download <a href="/blog/music/2023-03-18/audio/ce-20-dimensional-d-3.mp3" + rel="me noopner" + target="_blank">MP3</a></p></audio> + </figure> + <figure> + <figcaption> + CE-20 Dimensional D Mode - Mode 4 + </figcaption><audio controls=""><source src= + "/blog/music/2023-03-18/audio/ce-20-dimensional-d-4.mp3"> + <p>Download <a href="/blog/music/2023-03-18/audio/ce-20-dimensional-d-4.mp3" + rel="me noopner" + target="_blank">MP3</a></p></audio> + </figure> + <figure> + <figcaption> + CE-20 Dimensional D Mode - Mode 3+4 + </figcaption><audio controls=""><source src= + "/blog/music/2023-03-18/audio/ce-20-dimensional-d-3-4.mp3"> + <p>Download <a href="/blog/music/2023-03-18/audio/ce-20-dimensional-d-3-4.mp3" + rel="me noopner" + target="_blank">MP3</a></p></audio> + </figure> + <p>These are always so cool to hear. When you get into the combo modes + you start getting more "chorus" and less just + "width/movement". But these are interesting to listen to + compared to the clean. There is subtle differences - but they're + there! It's almost like it is now less stark and smoother. Like the + notes are lathered in butter, mmm!</p> + <h4>CE -1</h4> + <p>Okay, now on to the real show, the CE-1. Not much to say about this + one. It's a CE-1, you have an "intensity" knob, and + it's so rich. The delay rate is much slower than you would expect, + almost logarithmic. But when you get past noon it starts to get quite + seasick.<br> + <small><em>Editors note: 7 o'clock may be a bit higher than 7. None + of these pedals have freaking numbers on their knobs, so it's all a + guess. But it's a bit up from off</em></small></p> + <figure> + <figcaption> + CE-20 CE-1 Mode - Intensity 7 o'clock + </figcaption><audio controls=""><source src= + "/blog/music/2023-03-18/audio/ce-20-ce-1-7oclock.mp3"> + <p>Download <a href="/blog/music/2023-03-18/audio/ce-20-ce-1-7oclock.mp3" + rel="me noopner" + target="_blank">MP3</a></p></audio> + </figure> + <figure> + <figcaption> + CE-20 CE-1 Mode - Intensity 10 o'clock + </figcaption><audio controls=""><source src= + "/blog/music/2023-03-18/audio/ce-20-ce-1-10oclock.mp3"> + <p>Download <a href="/blog/music/2023-03-18/audio/ce-20-ce-1-10oclock.mp3" + rel="me noopner" + target="_blank">MP3</a></p></audio> + </figure> + <h3>Multivox CB-1 Chorus Box</h3> + <p>The Multivox CB-1 Chorus Box is a CE-1 clone, according to the gear + page, it's literally just the same circuit and components. I got my 5 + years ago because, well, I love chorus. Currently, a part of my rack unit + to be used with my synths, this chorus is just so smooth. But the biggest + trouble is dialing in the right level. You'll notice for the CB-1 + demos it's a different demo recording. I had to move my setup and I + accidentally wiped the RC-3. But because the CB-1 can be a bit tricky to + dial in, it's a bit quieter than the other demo tracks. But the level + control is one of my favorites, as it can add some crunch to the tone on + the peaks, adding a lot of flavor. I am running my guitar through the + "hi" input, because it gives me a bit more play with the input + level.</p> + <h4>Chorus</h4> + <figure> + <figcaption> + CB-1 Chorus Mode - Intensity 7 o'clock + </figcaption><audio controls=""><source src="/blog/music/2023-03-18/audio/cb-1-7oclock.mp3"> + <p>Download <a href="/blog/music/2023-03-18/audio/cb-1-7oclock.mp3" + rel="me noopner" + target="_blank">MP3</a></p></audio> + </figure> + <figure> + <figcaption> + CB-1 Chorus Mode - Intensity 10 o'clock + </figcaption><audio controls=""><source src= + "/blog/music/2023-03-18/audio/cb-1-10oclock.mp3"> + <p>Download <a href="/blog/music/2023-03-18/audio/cb-1-10oclock.mp3" + rel="me noopner" + target="_blank">MP3</a></p></audio> + </figure> + <figure> + <figcaption> + CB-1 Chorus Mode - Intensity 2 o'clock + </figcaption><audio controls=""><source src="/blog/music/2023-03-18/audio/cb-1-2oclock.mp3"> + <p>Download <a href="/blog/music/2023-03-18/audio/cb-1-2oclock.mp3" + rel="me noopner" + target="_blank">MP3</a></p></audio> + </figure> + <h4>Vibrato</h4> + <p>While this is mono, so it's acting like a straight vibrato. When + playing in stereo this creates it's own chorus, the stereo outs are + "dry" and "wet". This differs from the CE-1 chorus + too, so it's like 2 chorus pedals in one. These demos are in + mono.</p> + <figure> + <figcaption> + CB-1 Vibrato Mode - Rate 10 o'clock, Depth 2 o'clock + </figcaption><audio controls=""><source src= + "/blog/music/2023-03-18/audio/cb-1-vibrato-d2-r10.mp3"> + <p>Download <a href="/blog/music/2023-03-18/audio/cb-1-vibrato-d2-r10.mp3" + rel="me noopner" + target="_blank">MP3</a></p></audio> + </figure> + <figure> + <figcaption> + CB-1 Vibrato Mode - Rate 2 o'clock, Depth 10 o'clock + </figcaption><audio controls=""><source src= + "/blog/music/2023-03-18/audio/cb-1-vibrato-d10-r2.mp3"> + <p>Download <a href="/blog/music/2023-03-18/audio/cb-1-vibrato-d10-r2.mp3" + rel="me noopner" + target="_blank">MP3</a></p></audio> + </figure> + <h4>CB-1 Off with Level Boost</h4> + <p>The CB-1 when over driven (just by the guitar itself) gets really warm + crunch to signal, and it's a lot of fun. I usually run my Model D + through this and I love it.</p> + <figure> + <figcaption> + CB-1 Off - Level to a point where when I dig in it clips heavily + </figcaption><audio controls=""><source src= + "/blog/music/2023-03-18/audio/cb-1-off-with-level.mp3"> + <p>Download <a href="/blog/music/2023-03-18/audio/cb-1-off-with-level.mp3" + rel="me noopner" + target="_blank">MP3</a></p></audio> + </figure> + <h3>Walrus Audio Julia</h3> + <p>I picked up the Julia because it's such a versatile chorus: giving + you control over the rate, depth, lag, waveform, and mix. This lets you + craft basically ANY chorus sound you want. Exploring sounds, I've + noticed the major limiter being the rate. The Julia is just SO fast. Even + at min rate, it's still faster than like 1/3 of the Boss rates. But + the sounds are still amazing!</p> + <figure> + <figcaption> + Julia - Triangle Wave, Rate 7 o'clock, Depth 2 o'clock, Lag 3 + o'clock, Mix 12 o'clock (chorus) + </figcaption><audio controls=""><source src= + "/blog/music/2023-03-18/audio/julia-chorus-1.mp3"> + <p>Download <a href="/blog/music/2023-03-18/audio/julia-chorus-1.mp3" + rel="me noopner" + target="_blank">MP3</a></p></audio> + </figure> + <figure> + <figcaption> + Julia - Sine Wave, Rate 10 o'clock, Depth 2 o'clock, Lag 9 + o'clock, Mix 12 o'clock (chorus) + </figcaption><audio controls=""><source src= + "/blog/music/2023-03-18/audio/julia-chorus-2.mp3"> + <p>Download <a href="/blog/music/2023-03-18/audio/julia-chorus-2.mp3" + rel="me noopner" + target="_blank">MP3</a></p></audio> + </figure> + <figure> + <figcaption> + Julia - Sine Wave, Rate 9 o'clock, Depth 3 o'clock, Lag 9 + o'clock, Mix 12 o'clock (chorus) + </figcaption><audio controls=""><source src= + "/blog/music/2023-03-18/audio/julia-chorus-3.mp3"> + <p>Download <a href="/blog/music/2023-03-18/audio/julia-chorus-3.mp3" + rel="me noopner" + target="_blank">MP3</a></p></audio> + </figure> + <figure> + <figcaption> + Julia - Triangle Wave, Rate 8 o'clock, Depth 12 o'clock, Lag + 12 o'clock, Mix 5 o'clock (vibrato, max) + </figcaption><audio controls=""><source src= + "/blog/music/2023-03-18/audio/julia-vibrato.mp3"> + <p>Download <a href="/blog/music/2023-03-18/audio/julia-vibrato.mp3" + rel="me noopner" + target="_blank">MP3</a></p></audio> + </figure> + <h2>Thoughts</h2> + <p>Realistically? I love every single one of these choruses. It's + such an amazing effect, and I was messing around with the dirty channel + too, which still sounded great! The CB-1 was by no means a steal, but + it's my favorite chorus tone. But it comes with some quirks being a + late 70, early 80s device. The CE-20 is amazing but very much a "mid + 00s digital pedal" giving some of that digital-ness to it, + especially when mixing with other digital pedals. I'm sure you heard + the high pitched wine in the background. I EQ'd it out, but it's + there, and it bothers me. I think getting a CE-2w would give me a lot of + the options I want from this, without those digital artifacts. The CE-20 + would be perfect if it had a vibrato mode, given the CE-1 has one, and + really make it the perfect all-in-one. But given I've had this pedal + for at least 12 years (probably closer to 13. I can dig out the box and + see if I kept the receipt). I got in in college as my first ever chorus. + I was enamoured with it. I'd be on my board today if it wasn't so + big. The Julia is the perfect multi-tool chorus, and I've been really + happy with it. But it lacks that really SLOW rate that the Boss pedals + have, making it a BIT harder to really dial in the CE-1 tones.</p> + <p>I joked on mastodon that I was did this to convince myself I don't + NEED a CE-2w or DC-2w...and now I want them even more!</p> + </article> + <div id="footer"> + <i>March 18, 2023</i> + </div> + <div id='copyright'> + © 2023 senders dot io - <a rel="license external noopener noreferrer" + target="_blank" + href="https://creativecommons.org/licenses/by/4.0/">CC BY-SA 4.0</a> + unless otherwise noted. + </div> + </div> +</body> +</html> diff --git a/www/blog/music/2023-03-18/audio/cb-1-10oclock.mp3 b/www/blog/music/2023-03-18/audio/cb-1-10oclock.mp3 Binary files differnew file mode 100644 index 0000000..5e0fb60 --- /dev/null +++ b/www/blog/music/2023-03-18/audio/cb-1-10oclock.mp3 diff --git a/www/blog/music/2023-03-18/audio/cb-1-2oclock.mp3 b/www/blog/music/2023-03-18/audio/cb-1-2oclock.mp3 Binary files differnew file mode 100644 index 0000000..0613fee --- /dev/null +++ b/www/blog/music/2023-03-18/audio/cb-1-2oclock.mp3 diff --git a/www/blog/music/2023-03-18/audio/cb-1-7oclock.mp3 b/www/blog/music/2023-03-18/audio/cb-1-7oclock.mp3 Binary files differnew file mode 100644 index 0000000..06e7432 --- /dev/null +++ b/www/blog/music/2023-03-18/audio/cb-1-7oclock.mp3 diff --git a/www/blog/music/2023-03-18/audio/cb-1-off-with-level.mp3 b/www/blog/music/2023-03-18/audio/cb-1-off-with-level.mp3 Binary files differnew file mode 100644 index 0000000..e693acb --- /dev/null +++ b/www/blog/music/2023-03-18/audio/cb-1-off-with-level.mp3 diff --git a/www/blog/music/2023-03-18/audio/cb-1-vibrato-d10-r2.mp3 b/www/blog/music/2023-03-18/audio/cb-1-vibrato-d10-r2.mp3 Binary files differnew file mode 100644 index 0000000..76bbf2d --- /dev/null +++ b/www/blog/music/2023-03-18/audio/cb-1-vibrato-d10-r2.mp3 diff --git a/www/blog/music/2023-03-18/audio/cb-1-vibrato-d2-r10.mp3 b/www/blog/music/2023-03-18/audio/cb-1-vibrato-d2-r10.mp3 Binary files differnew file mode 100644 index 0000000..b9454ce --- /dev/null +++ b/www/blog/music/2023-03-18/audio/cb-1-vibrato-d2-r10.mp3 diff --git a/www/blog/music/2023-03-18/audio/ce-20-ce-1-10oclock.mp3 b/www/blog/music/2023-03-18/audio/ce-20-ce-1-10oclock.mp3 Binary files differnew file mode 100644 index 0000000..63a241e --- /dev/null +++ b/www/blog/music/2023-03-18/audio/ce-20-ce-1-10oclock.mp3 diff --git a/www/blog/music/2023-03-18/audio/ce-20-ce-1-7oclock.mp3 b/www/blog/music/2023-03-18/audio/ce-20-ce-1-7oclock.mp3 Binary files differnew file mode 100644 index 0000000..8dd46c8 --- /dev/null +++ b/www/blog/music/2023-03-18/audio/ce-20-ce-1-7oclock.mp3 diff --git a/www/blog/music/2023-03-18/audio/ce-20-dimensional-d-3-4.mp3 b/www/blog/music/2023-03-18/audio/ce-20-dimensional-d-3-4.mp3 Binary files differnew file mode 100644 index 0000000..753ca1c --- /dev/null +++ b/www/blog/music/2023-03-18/audio/ce-20-dimensional-d-3-4.mp3 diff --git a/www/blog/music/2023-03-18/audio/ce-20-dimensional-d-3.mp3 b/www/blog/music/2023-03-18/audio/ce-20-dimensional-d-3.mp3 Binary files differnew file mode 100644 index 0000000..71d814c --- /dev/null +++ b/www/blog/music/2023-03-18/audio/ce-20-dimensional-d-3.mp3 diff --git a/www/blog/music/2023-03-18/audio/ce-20-dimensional-d-4.mp3 b/www/blog/music/2023-03-18/audio/ce-20-dimensional-d-4.mp3 Binary files differnew file mode 100644 index 0000000..bf76aa7 --- /dev/null +++ b/www/blog/music/2023-03-18/audio/ce-20-dimensional-d-4.mp3 diff --git a/www/blog/music/2023-03-18/audio/ce-20-rich-r10-d2.mp3 b/www/blog/music/2023-03-18/audio/ce-20-rich-r10-d2.mp3 Binary files differnew file mode 100644 index 0000000..ada00e1 --- /dev/null +++ b/www/blog/music/2023-03-18/audio/ce-20-rich-r10-d2.mp3 diff --git a/www/blog/music/2023-03-18/audio/ce-20-standard-r10-d2.mp3 b/www/blog/music/2023-03-18/audio/ce-20-standard-r10-d2.mp3 Binary files differnew file mode 100644 index 0000000..74bd7bf --- /dev/null +++ b/www/blog/music/2023-03-18/audio/ce-20-standard-r10-d2.mp3 diff --git a/www/blog/music/2023-03-18/audio/ce-20-standard-r2-d10.mp3 b/www/blog/music/2023-03-18/audio/ce-20-standard-r2-d10.mp3 Binary files differnew file mode 100644 index 0000000..d6ea877 --- /dev/null +++ b/www/blog/music/2023-03-18/audio/ce-20-standard-r2-d10.mp3 diff --git a/www/blog/music/2023-03-18/audio/clean.mp3 b/www/blog/music/2023-03-18/audio/clean.mp3 Binary files differnew file mode 100644 index 0000000..0943c6f --- /dev/null +++ b/www/blog/music/2023-03-18/audio/clean.mp3 diff --git a/www/blog/music/2023-03-18/audio/julia-chorus-1.mp3 b/www/blog/music/2023-03-18/audio/julia-chorus-1.mp3 Binary files differnew file mode 100644 index 0000000..d9a6900 --- /dev/null +++ b/www/blog/music/2023-03-18/audio/julia-chorus-1.mp3 diff --git a/www/blog/music/2023-03-18/audio/julia-chorus-2.mp3 b/www/blog/music/2023-03-18/audio/julia-chorus-2.mp3 Binary files differnew file mode 100644 index 0000000..cadbf0f --- /dev/null +++ b/www/blog/music/2023-03-18/audio/julia-chorus-2.mp3 diff --git a/www/blog/music/2023-03-18/audio/julia-chorus-3.mp3 b/www/blog/music/2023-03-18/audio/julia-chorus-3.mp3 Binary files differnew file mode 100644 index 0000000..6425861 --- /dev/null +++ b/www/blog/music/2023-03-18/audio/julia-chorus-3.mp3 diff --git a/www/blog/music/2023-03-18/audio/julia-vibrato.mp3 b/www/blog/music/2023-03-18/audio/julia-vibrato.mp3 Binary files differnew file mode 100644 index 0000000..dbfa588 --- /dev/null +++ b/www/blog/music/2023-03-18/audio/julia-vibrato.mp3 diff --git a/www/blog/music/2023-03-18/index.html b/www/blog/music/2023-03-18/index.html new file mode 100644 index 0000000..54c8c64 --- /dev/null +++ b/www/blog/music/2023-03-18/index.html @@ -0,0 +1,340 @@ +<!DOCTYPE html> +<html lang="en"> +<head> + <meta charset="utf-8"> + <meta name="generator" + content="HTML Tidy for HTML5 for Linux version 5.6.0"> + <title>senders.io - music blog - 2023-03-18</title> + <link rel='stylesheet' + type='text/css' + href='/index.css'> + <meta name="viewport" + content="width=device-width, initial-scale=1"> +</head> +<body> + <div id='header'> + <a class='title' + href='/'>senders.io</a> + <nav> + <a href="/blog">blog</a> <a rel="external noopener noreferrer" + target="_blank" + href="https://github.com/s3nd3r5">github</a> <a rel= + "external noopener noreferrer" + target="_blank" + href="https://git.senders.io">cgit</a> <a rel= + "me external noopener noreferrer" + target="_blank" + href="https://mastodon.online/@senders">mastodon</a> + </nav> + </div> + <div id="body"> + <article> + <h1>A Tour de Chorus</h1> + <p>I've been talking a lot about chorus on my mastodon, like, A LOT. + So I thought it would be fun to explore my chorus pedals a bit and + present this information in some shareable way, since no one wants to + listen to 18 minutes of audio in a row.</p> + <h2>What's on display</h2> + <p>So I have three chorus pedals to show off today:</p> + <ul> + <li>Boss CE-20</li> + <li>Warlus Audio Julia</li> + <li>Multivox CB-1 Chorus Box</li> + </ul> + <h2>The other gear</h2> + <p>I will be playing each of these pedals through my THR-100HD (see + <a href="/blog/music/2023-01-06/" + rel="me noopener" + target="_blank">my previous music blog post</a> in which I deep dive a + bit into this amp). It's running on the crunch channel, just at + the edge of breakup, with little to no reverb.</p> + <p>As for guitar - I am using my Reverend Descent RA Baritone.</p> + <h2>The demos</h2> + <p>For each of these demos I will be playing the same loop (mostly). I + recorded a loop into my Boss RC-3 to remove any playing bias towards the + more warbely chorus tones, and to make it easier for me! Each demo is + about 48s long (depending on how good my trimming was). I added a bit of + EQ in post to cut out some digital hum introduced when pairing my CE-20 + with my RC-3 so sorry about that...</p> + <p>Let's start with the clean tone:</p> + <figure> + <audio controls=""><source src="/blog/music/2023-03-18/audio/clean.mp3"> + <p>Download <a href="/blog/music/2023-03-18/audio/clean.mp3" + rel="me noopner" + target="_blank">MP3</a></p></audio> + </figure>This loop is something I had been noodling on all week, while on + my chorus kick. I feel it's actually a decent demo because it calls + on a lot of classic chorus sounds. Individually picked notes, bright open + strings, and then at the end some Nirvana-like dark power chord picking. + All classic chorus sounds to me. + <h3>CE-20</h3> + <p>Next we can go through the CE-20. The CE-20 has 4 modes we'll be + demoing, but there are a total of 6. We are demoing the "Rich", + "Standard", "Dimensional D", and "CE-1" + settings. I skipped the "Acoustic" and "Bass" + settings as they've always felt like some slight EQ on the + "standard" mode.</p> + <h4>Standard</h4> + <p>We can start with "Standard" as it's the most "boss + chorus". Though I personally feel it lacks a bit of the bite the + CE-1 and CE-2 offer. But it wouldn't surprise me if + "Standard" was just a CE-2.</p> + <figure> + <figcaption> + CE-20 Standard Mode - Rate 10 o'clock, Depth 2 o'clock + </figcaption><audio controls=""><source src= + "/blog/music/2023-03-18/audio/ce-20-standard-r10-d2.mp3"> + <p>Download <a href="/blog/music/2023-03-18/audio/ce-20-standard-r10-d2.mp3" + rel="me noopner" + target="_blank">MP3</a></p></audio> + </figure> + <figure> + <figcaption> + CE-20 Standard Mode - Rate 2 o'clock, Depth 10 o'clock + </figcaption><audio controls=""><source src= + "/blog/music/2023-03-18/audio/ce-20-standard-r2-d10.mp3"> + <p>Download <a href="/blog/music/2023-03-18/audio/ce-20-standard-r2-d10.mp3" + rel="me noopner" + target="_blank">MP3</a></p></audio> + </figure> + <h4>Rich</h4> + <p>Let's compare this with the "Rich" mode. And keep in + mind the only settings I will be changing between these CE-20 modes is + the rate and depth. There is actually quite a bit of tone controlling you + get in the CE-20. But I generally keep those fairly static based on my + guitar and amp settings, and for the purposes of these demos are + static.</p> + <figure> + <figcaption> + CE-20 Rich Mode - Rate 10 o'clock, Depth 2 o'clock + </figcaption><audio controls=""><source src= + "/blog/music/2023-03-18/audio/ce-20-rich-r10-d2.mp3"> + <p>Download <a href="/blog/music/2023-03-18/audio/ce-20-rich-r10-d2.mp3" + rel="me noopner" + target="_blank">MP3</a></p></audio> + </figure> + <h4>Dimensional D</h4> + <p>This mode is a recreation of the SDD-320 Dimension D effects unit, + later made into the Boss DC-2. This effect is one of my favorite + choruses. It's so unique. On the CE-20 there are 7 modes: 1 - 4, as + well as 3 "combo" modes: 1+4, 2+4, and 3+4. These map directly + to their SDD-320 counterparts, which also let you stack the modes + together. This really shines in stereo, but since the Julia is mono, I + felt it's only fair to use these how I use them on my board.</p> + <figure> + <figcaption> + CE-20 Dimensional D Mode - Mode 3 + </figcaption><audio controls=""><source src= + "/blog/music/2023-03-18/audio/ce-20-dimensional-d-3.mp3"> + <p>Download <a href="/blog/music/2023-03-18/audio/ce-20-dimensional-d-3.mp3" + rel="me noopner" + target="_blank">MP3</a></p></audio> + </figure> + <figure> + <figcaption> + CE-20 Dimensional D Mode - Mode 4 + </figcaption><audio controls=""><source src= + "/blog/music/2023-03-18/audio/ce-20-dimensional-d-4.mp3"> + <p>Download <a href="/blog/music/2023-03-18/audio/ce-20-dimensional-d-4.mp3" + rel="me noopner" + target="_blank">MP3</a></p></audio> + </figure> + <figure> + <figcaption> + CE-20 Dimensional D Mode - Mode 3+4 + </figcaption><audio controls=""><source src= + "/blog/music/2023-03-18/audio/ce-20-dimensional-d-3-4.mp3"> + <p>Download <a href="/blog/music/2023-03-18/audio/ce-20-dimensional-d-3-4.mp3" + rel="me noopner" + target="_blank">MP3</a></p></audio> + </figure> + <p>These are always so cool to hear. When you get into the combo modes + you start getting more "chorus" and less just + "width/movement". But these are interesting to listen to + compared to the clean. There is subtle differences - but they're + there! It's almost like it is now less stark and smoother. Like the + notes are lathered in butter, mmm!</p> + <h4>CE -1</h4> + <p>Okay, now on to the real show, the CE-1. Not much to say about this + one. It's a CE-1, you have an "intensity" knob, and + it's so rich. The delay rate is much slower than you would expect, + almost logarithmic. But when you get past noon it starts to get quite + seasick.<br> + <small><em>Editors note: 7 o'clock may be a bit higher than 7. None + of these pedals have freaking numbers on their knobs, so it's all a + guess. But it's a bit up from off</em></small></p> + <figure> + <figcaption> + CE-20 CE-1 Mode - Intensity 7 o'clock + </figcaption><audio controls=""><source src= + "/blog/music/2023-03-18/audio/ce-20-ce-1-7oclock.mp3"> + <p>Download <a href="/blog/music/2023-03-18/audio/ce-20-ce-1-7oclock.mp3" + rel="me noopner" + target="_blank">MP3</a></p></audio> + </figure> + <figure> + <figcaption> + CE-20 CE-1 Mode - Intensity 10 o'clock + </figcaption><audio controls=""><source src= + "/blog/music/2023-03-18/audio/ce-20-ce-1-10oclock.mp3"> + <p>Download <a href="/blog/music/2023-03-18/audio/ce-20-ce-1-10oclock.mp3" + rel="me noopner" + target="_blank">MP3</a></p></audio> + </figure> + <h3>Multivox CB-1 Chorus Box</h3> + <p>The Multivox CB-1 Chorus Box is a CE-1 clone, according to the gear + page, it's literally just the same circuit and components. I got my 5 + years ago because, well, I love chorus. Currently, a part of my rack unit + to be used with my synths, this chorus is just so smooth. But the biggest + trouble is dialing in the right level. You'll notice for the CB-1 + demos it's a different demo recording. I had to move my setup and I + accidentally wiped the RC-3. But because the CB-1 can be a bit tricky to + dial in, it's a bit quieter than the other demo tracks. But the level + control is one of my favorites, as it can add some crunch to the tone on + the peaks, adding a lot of flavor. I am running my guitar through the + "hi" input, because it gives me a bit more play with the input + level.</p> + <h4>Chorus</h4> + <figure> + <figcaption> + CB-1 Chorus Mode - Intensity 7 o'clock + </figcaption><audio controls=""><source src="/blog/music/2023-03-18/audio/cb-1-7oclock.mp3"> + <p>Download <a href="/blog/music/2023-03-18/audio/cb-1-7oclock.mp3" + rel="me noopner" + target="_blank">MP3</a></p></audio> + </figure> + <figure> + <figcaption> + CB-1 Chorus Mode - Intensity 10 o'clock + </figcaption><audio controls=""><source src= + "/blog/music/2023-03-18/audio/cb-1-10oclock.mp3"> + <p>Download <a href="/blog/music/2023-03-18/audio/cb-1-10oclock.mp3" + rel="me noopner" + target="_blank">MP3</a></p></audio> + </figure> + <figure> + <figcaption> + CB-1 Chorus Mode - Intensity 2 o'clock + </figcaption><audio controls=""><source src="/blog/music/2023-03-18/audio/cb-1-2oclock.mp3"> + <p>Download <a href="/blog/music/2023-03-18/audio/cb-1-2oclock.mp3" + rel="me noopner" + target="_blank">MP3</a></p></audio> + </figure> + <h4>Vibrato</h4> + <p>While this is mono, so it's acting like a straight vibrato. When + playing in stereo this creates it's own chorus, the stereo outs are + "dry" and "wet". This differs from the CE-1 chorus + too, so it's like 2 chorus pedals in one. These demos are in + mono.</p> + <figure> + <figcaption> + CB-1 Vibrato Mode - Rate 10 o'clock, Depth 2 o'clock + </figcaption><audio controls=""><source src= + "/blog/music/2023-03-18/audio/cb-1-vibrato-d2-r10.mp3"> + <p>Download <a href="/blog/music/2023-03-18/audio/cb-1-vibrato-d2-r10.mp3" + rel="me noopner" + target="_blank">MP3</a></p></audio> + </figure> + <figure> + <figcaption> + CB-1 Vibrato Mode - Rate 2 o'clock, Depth 10 o'clock + </figcaption><audio controls=""><source src= + "/blog/music/2023-03-18/audio/cb-1-vibrato-d10-r2.mp3"> + <p>Download <a href="/blog/music/2023-03-18/audio/cb-1-vibrato-d10-r2.mp3" + rel="me noopner" + target="_blank">MP3</a></p></audio> + </figure> + <h4>CB-1 Off with Level Boost</h4> + <p>The CB-1 when over driven (just by the guitar itself) gets really warm + crunch to signal, and it's a lot of fun. I usually run my Model D + through this and I love it.</p> + <figure> + <figcaption> + CB-1 Off - Level to a point where when I dig in it clips heavily + </figcaption><audio controls=""><source src= + "/blog/music/2023-03-18/audio/cb-1-off-with-level.mp3"> + <p>Download <a href="/blog/music/2023-03-18/audio/cb-1-off-with-level.mp3" + rel="me noopner" + target="_blank">MP3</a></p></audio> + </figure> + <h3>Walrus Audio Julia</h3> + <p>I picked up the Julia because it's such a versatile chorus: giving + you control over the rate, depth, lag, waveform, and mix. This lets you + craft basically ANY chorus sound you want. Exploring sounds, I've + noticed the major limiter being the rate. The Julia is just SO fast. Even + at min rate, it's still faster than like 1/3 of the Boss rates. But + the sounds are still amazing!</p> + <figure> + <figcaption> + Julia - Triangle Wave, Rate 7 o'clock, Depth 2 o'clock, Lag 3 + o'clock, Mix 12 o'clock (chorus) + </figcaption><audio controls=""><source src= + "/blog/music/2023-03-18/audio/julia-chorus-1.mp3"> + <p>Download <a href="/blog/music/2023-03-18/audio/julia-chorus-1.mp3" + rel="me noopner" + target="_blank">MP3</a></p></audio> + </figure> + <figure> + <figcaption> + Julia - Sine Wave, Rate 10 o'clock, Depth 2 o'clock, Lag 9 + o'clock, Mix 12 o'clock (chorus) + </figcaption><audio controls=""><source src= + "/blog/music/2023-03-18/audio/julia-chorus-2.mp3"> + <p>Download <a href="/blog/music/2023-03-18/audio/julia-chorus-2.mp3" + rel="me noopner" + target="_blank">MP3</a></p></audio> + </figure> + <figure> + <figcaption> + Julia - Sine Wave, Rate 9 o'clock, Depth 3 o'clock, Lag 9 + o'clock, Mix 12 o'clock (chorus) + </figcaption><audio controls=""><source src= + "/blog/music/2023-03-18/audio/julia-chorus-3.mp3"> + <p>Download <a href="/blog/music/2023-03-18/audio/julia-chorus-3.mp3" + rel="me noopner" + target="_blank">MP3</a></p></audio> + </figure> + <figure> + <figcaption> + Julia - Triangle Wave, Rate 8 o'clock, Depth 12 o'clock, Lag + 12 o'clock, Mix 5 o'clock (vibrato, max) + </figcaption><audio controls=""><source src= + "/blog/music/2023-03-18/audio/julia-vibrato.mp3"> + <p>Download <a href="/blog/music/2023-03-18/audio/julia-vibrato.mp3" + rel="me noopner" + target="_blank">MP3</a></p></audio> + </figure> + <h2>Thoughts</h2> + <p>Realistically? I love every single one of these choruses. It's + such an amazing effect, and I was messing around with the dirty channel + too, which still sounded great! The CB-1 was by no means a steal, but + it's my favorite chorus tone. But it comes with some quirks being a + late 70, early 80s device. The CE-20 is amazing but very much a "mid + 00s digital pedal" giving some of that digital-ness to it, + especially when mixing with other digital pedals. I'm sure you heard + the high pitched wine in the background. I EQ'd it out, but it's + there, and it bothers me. I think getting a CE-2w would give me a lot of + the options I want from this, without those digital artifacts. The CE-20 + would be perfect if it had a vibrato mode, given the CE-1 has one, and + really make it the perfect all-in-one. But given I've had this pedal + for at least 12 years (probably closer to 13. I can dig out the box and + see if I kept the receipt). I got in in college as my first ever chorus. + I was enamoured with it. I'd be on my board today if it wasn't so + big. The Julia is the perfect multi-tool chorus, and I've been really + happy with it. But it lacks that really SLOW rate that the Boss pedals + have, making it a BIT harder to really dial in the CE-1 tones.</p> + <p>I joked on mastodon that I was did this to convince myself I don't + NEED a CE-2w or DC-2w...and now I want them even more!</p> + </article> + <div id="footer"> + <i>March 18, 2023</i> + </div> + <div id='copyright'> + © 2023 senders dot io - <a rel="license external noopener noreferrer" + target="_blank" + href="https://creativecommons.org/licenses/by/4.0/">CC BY-SA 4.0</a> + unless otherwise noted. + </div> + </div> +</body> +</html> diff --git a/www/diffs/sh-vim.diff b/www/diffs/sh-vim.diff new file mode 100644 index 0000000..9a53127 --- /dev/null +++ b/www/diffs/sh-vim.diff @@ -0,0 +1,13 @@ +diff --git a/runtime/syntax/sh.vim b/runtime/syntax/sh.vim +index 13d74dbc1..42151f41b 100644 +--- a/runtime/syntax/sh.vim ++++ b/runtime/syntax/sh.vim +@@ -335,7 +335,7 @@ syn match shEscape contained '\%(^\)\@!\%(\\\\\)*\\.' nextgroup=shComment + " systems too, however, so the following syntax will flag $(..) as + " an Error under /bin/sh. By consensus of vimdev'ers! + if exists("b:is_kornshell") || exists("b:is_bash") || exists("b:is_posix") +- syn region shCommandSub matchgroup=shCmdSubRegion start="\$(\ze[^(]\|$" skip='\\\\\|\\.' end=")" contains=@shCommandSubList ++ syn region shCommandSub matchgroup=shCmdSubRegion start="\$(\ze[^(]\?" skip='\\\\\|\\.' end=")" contains=@shCommandSubList + syn region shArithmetic matchgroup=shArithRegion start="\$((" skip='\\\\\|\\.' end="))" contains=@shArithList + syn region shArithmetic matchgroup=shArithRegion start="\$\[" skip='\\\\\|\\.' end="\]" contains=@shArithList + syn match shSkipInitWS contained "^\s\+" diff --git a/www/diffs/sh-vim.html b/www/diffs/sh-vim.html new file mode 100644 index 0000000..d41adf3 --- /dev/null +++ b/www/diffs/sh-vim.html @@ -0,0 +1,44 @@ +<!DOCTYPE html> +<html> +<head> + <meta name="generator" + content="HTML Tidy for HTML5 for Linux version 5.6.0"> + <title>senders - diffs</title> +</head> +<body> + <div> + <p>There is an outstanding issue in Vim's shell syntax file. A patch + was made that broke syntax that used almost any changes. I originally made + my own patch that worked for the most part, but in heavily neasted commands + it broke down. In the mailing list the following change was proposed. I am + supplying this diff for my own sanity so when my syntax file gets reset and + is still broken I can apply the diff :)</p> + </div> + <div> + Download: <a href="/diffs/sh-vim.diff" + target="_blank" + rel="noopener">sh-vim.diff</a> + </div> + <pre> +diff --git a/runtime/syntax/sh.vim b/runtime/syntax/sh.vim +index 13d74dbc1..42151f41b 100644 +--- a/runtime/syntax/sh.vim ++++ b/runtime/syntax/sh.vim +@@ -335,7 +335,7 @@ syn match shEscape contained '\%(^\)\@!\%(\\\\\)*\\.' nextgroup=shComment + " systems too, however, so the following syntax will flag $(..) as + " an Error under /bin/sh. By consensus of vimdev'ers! + if exists("b:is_kornshell") || exists("b:is_bash") || exists("b:is_posix") +- syn region shCommandSub matchgroup=shCmdSubRegion start="\$(\ze[^(]\|$" skip='\\\\\|\\.' end=")" contains=@shCommandSubList ++ syn region shCommandSub matchgroup=shCmdSubRegion start="\$(\ze[^(]\?" skip='\\\\\|\\.' end=")" contains=@shCommandSubList + syn region shArithmetic matchgroup=shArithRegion start="\$((" skip='\\\\\|\\.' end="))" contains=@shArithList + syn region shArithmetic matchgroup=shArithRegion start="\$\[" skip='\\\\\|\\.' end="\]" contains=@shArithList + syn match shSkipInitWS contained "^\s\+" + </pre> + <div> + <a href="https://groups.google.com/g/vim_dev/c/lOwoC5cHKDM" + target="_blank" + rel="noopener noreferrer external">Vim Dev Mailing List Thread - + Archive (Google Groups)</a> + </div> +</body> +</html> diff --git a/www/wishlist.html b/www/wishlist.html index 6c80cb1..c589b6a 100644 --- a/www/wishlist.html +++ b/www/wishlist.html @@ -112,50 +112,6 @@ <td></td> </tr> <tr> - <td>Jimi Hendrix</td> - <td>Are You Experinced</td> - <td style="text-align:center;"> - <a rel="external noopener noreferrer" - target="_blank" - href= - "https://www.discogs.com/artist/110593-Jimi-Hendrix">Discogs</a> - </td> - <td></td> - </tr> - <tr> - <td>KANGA</td> - <td>KANGA (CD)</td> - <td style="text-align:center;"> - <a rel="external noopener noreferrer" - target="_blank" - href= - "https://www.discogs.com/release/9368901-Kanga-Kanga">Discogs</a> - </td> - <td style="text-align:center;"></td> - </tr> - <tr> - <td>KANGA</td> - <td>Eternal Daughter (CD)</td> - <td style="text-align:center;"> - <a rel="external noopener noreferrer" - target="_blank" - href= - "https://kanga.bandcamp.com/album/eternal-daughter">Bandcamp</a> - </td> - <td style="text-align:center;">💖</td> - </tr> - <tr> - <td>KANGA</td> - <td>You and I Will Never Die (CD)</td> - <td style="text-align:center;"> - <a rel="external noopener noreferrer" - target="_blank" - href= - "https://kanga.bandcamp.com/album/you-and-i-will-never-die">Bandcamp</a> - </td> - <td style="text-align:center;">💖</td> - </tr> - <tr> <td>Khemmis</td> <td>Absolution</td> <td style="text-align:center;"> @@ -239,12 +195,12 @@ target="_blank" href="https://www.jetpens.com/Fountain-Pen-Inks/ct/3250">Jetpens Store</a></p> - </div> - <div id='copyright'> - © 2023 senders dot io - <a rel="license external noopener noreferrer" - target="_blank" - href="https://creativecommons.org/licenses/by/4.0/">CC BY-SA 4.0</a> - unless otherwise noted. + <div id='copyright'> + © 2023 senders dot io - <a rel="license external noopener noreferrer" + target="_blank" + href="https://creativecommons.org/licenses/by/4.0/">CC BY-SA 4.0</a> + unless otherwise noted. + </div> </div> </body> </html> |