Blog Index

+ 2023-03-18 - Music: A Tour de + Chorus +
+ 2023-01-06 - Music: Reworking my + THR100HD +
2023-01-06 - How I Generate My RSS Feed diff --git a/www/blog/music/2023-01-06/index.html b/www/blog/music/2023-01-06/index.html index c539a73..44dcfb6 100644 --- a/www/blog/music/2023-01-06/index.html +++ b/www/blog/music/2023-01-06/index.html @@ -4,7 +4,7 @@ - senders.io - PAGE_TITLE + senders.io - music blog - 2023-01-06 @@ -63,12 +63,13 @@
"Rezzed" - Hi-gain dual amped Baritone guitar
-
Download + +
Download MP3 or OGG
@@ -82,7 +83,8 @@ I'd even end up keeping it. Or I would do some heavy EQing to that channel. Here is what I have dialed in so far:
- + + + + + senders.io - music blog - 2023-03-18 + + + + +
+ senders.io +
+ blog github cgit mastodon +
+
+
+
+
A Tour de Chorus
+
I've been talking a lot about chorus on my mastodon, like, A LOT. + So I thought it would be fun to explore my chorus pedals a bit and + present this information in some shareable way, since no one wants to + listen to 18 minutes of audio in a row.
+
What's on display
+
So I have three chorus pedals to show off today:
+
+
Boss CE-20
+
Warlus Audio Julia
+
Multivox CB-1 Chorus Box
+
+
The other gear
+
I will be playing each of these pedals through my THR-100HD (see + my previous music blog post in which I deep dive a + bit into this amp). It's running on the crunch channel, just at + the edge of breakup, with little to no reverb.
+
As for guitar - I am using my Reverend Descent RA Baritone.
+
The demos
+
For each of these demos I will be playing the same loop (mostly). I + recorded a loop into my Boss RC-3 to remove any playing bias towards the + more warbely chorus tones, and to make it easier for me! Each demo is + about 48s long (depending on how good my trimming was). I added a bit of + EQ in post to cut out some digital hum introduced when pairing my CE-20 + with my RC-3 so sorry about that...
+
Let's start with the clean tone:
+
+ +
This loop is something I had been noodling on all week, while on + my chorus kick. I feel it's actually a decent demo because it calls + on a lot of classic chorus sounds. Individually picked notes, bright open + strings, and then at the end some Nirvana-like dark power chord picking. + All classic chorus sounds to me. +
CE-20
+
Next we can go through the CE-20. The CE-20 has 4 modes we'll be + demoing, but there are a total of 6. We are demoing the "Rich", + "Standard", "Dimensional D", and "CE-1" + settings. I skipped the "Acoustic" and "Bass" + settings as they've always felt like some slight EQ on the + "standard" mode.
+
Standard
+
We can start with "Standard" as it's the most "boss + chorus". Though I personally feel it lacks a bit of the bite the + CE-1 and CE-2 offer. But it wouldn't surprise me if + "Standard" was just a CE-2.
+
+
+ CE-20 Standard Mode - Rate 10 o'clock, Depth 2 o'clock +
+
+
+
+ CE-20 Standard Mode - Rate 2 o'clock, Depth 10 o'clock +
+
+
Rich
+
Let's compare this with the "Rich" mode. And keep in + mind the only settings I will be changing between these CE-20 modes is + the rate and depth. There is actually quite a bit of tone controlling you + get in the CE-20. But I generally keep those fairly static based on my + guitar and amp settings, and for the purposes of these demos are + static.
+
+
+ CE-20 Rich Mode - Rate 10 o'clock, Depth 2 o'clock +
+
+
Dimensional D
+
This mode is a recreation of the SDD-320 Dimension D effects unit, + later made into the Boss DC-2. This effect is one of my favorite + choruses. It's so unique. On the CE-20 there are 7 modes: 1 - 4, as + well as 3 "combo" modes: 1+4, 2+4, and 3+4. These map directly + to their SDD-320 counterparts, which also let you stack the modes + together. This really shines in stereo, but since the Julia is mono, I + felt it's only fair to use these how I use them on my board.
+
+
+ CE-20 Dimensional D Mode - Mode 3 +
+
+
+
+ CE-20 Dimensional D Mode - Mode 4 +
+
+
+
+ CE-20 Dimensional D Mode - Mode 3+4 +
+
+
These are always so cool to hear. When you get into the combo modes + you start getting more "chorus" and less just + "width/movement". But these are interesting to listen to + compared to the clean. There is subtle differences - but they're + there! It's almost like it is now less stark and smoother. Like the + notes are lathered in butter, mmm!
+
CE -1
+
Okay, now on to the real show, the CE-1. Not much to say about this + one. It's a CE-1, you have an "intensity" knob, and + it's so rich. The delay rate is much slower than you would expect, + almost logarithmic. But when you get past noon it starts to get quite + seasick.
+ Editors note: 7 o'clock may be a bit higher than 7. None + of these pedals have freaking numbers on their knobs, so it's all a + guess. But it's a bit up from off
+
+
+ CE-20 CE-1 Mode - Intensity 7 o'clock +
+
+
+
+ CE-20 CE-1 Mode - Intensity 10 o'clock +
+
+
Multivox CB-1 Chorus Box
+
The Multivox CB-1 Chorus Box is a CE-1 clone, according to the gear + page, it's literally just the same circuit and components. I got my 5 + years ago because, well, I love chorus. Currently, a part of my rack unit + to be used with my synths, this chorus is just so smooth. But the biggest + trouble is dialing in the right level. You'll notice for the CB-1 + demos it's a different demo recording. I had to move my setup and I + accidentally wiped the RC-3. But because the CB-1 can be a bit tricky to + dial in, it's a bit quieter than the other demo tracks. But the level + control is one of my favorites, as it can add some crunch to the tone on + the peaks, adding a lot of flavor. I am running my guitar through the + "hi" input, because it gives me a bit more play with the input + level.
+
Chorus
+
+
+ CB-1 Chorus Mode - Intensity 7 o'clock +
+
+
+
+ CB-1 Chorus Mode - Intensity 10 o'clock +
+
+
+
+ CB-1 Chorus Mode - Intensity 2 o'clock +
+
+
Vibrato
+
While this is mono, so it's acting like a straight vibrato. When + playing in stereo this creates it's own chorus, the stereo outs are + "dry" and "wet". This differs from the CE-1 chorus + too, so it's like 2 chorus pedals in one. These demos are in + mono.
+
+
+ CB-1 Vibrato Mode - Rate 10 o'clock, Depth 2 o'clock +
+
+
+
+ CB-1 Vibrato Mode - Rate 2 o'clock, Depth 10 o'clock +
+
+
CB-1 Off with Level Boost
+
The CB-1 when over driven (just by the guitar itself) gets really warm + crunch to signal, and it's a lot of fun. I usually run my Model D + through this and I love it.
+
+
+ CB-1 Off - Level to a point where when I dig in it clips heavily +
+
+
Walrus Audio Julia
+
I picked up the Julia because it's such a versatile chorus: giving + you control over the rate, depth, lag, waveform, and mix. This lets you + craft basically ANY chorus sound you want. Exploring sounds, I've + noticed the major limiter being the rate. The Julia is just SO fast. Even + at min rate, it's still faster than like 1/3 of the Boss rates. But + the sounds are still amazing!
+
+
+ Julia - Triangle Wave, Rate 7 o'clock, Depth 2 o'clock, Lag 3 + o'clock, Mix 12 o'clock (chorus) +
+
+
+
+ Julia - Sine Wave, Rate 10 o'clock, Depth 2 o'clock, Lag 9 + o'clock, Mix 12 o'clock (chorus) +
+
+
+
+ Julia - Sine Wave, Rate 9 o'clock, Depth 3 o'clock, Lag 9 + o'clock, Mix 12 o'clock (chorus) +
+
+
+
+ Julia - Triangle Wave, Rate 8 o'clock, Depth 12 o'clock, Lag + 12 o'clock, Mix 5 o'clock (vibrato, max) +
+
+
Thoughts
+
Realistically? I love every single one of these choruses. It's + such an amazing effect, and I was messing around with the dirty channel + too, which still sounded great! The CB-1 was by no means a steal, but + it's my favorite chorus tone. But it comes with some quirks being a + late 70, early 80s device. The CE-20 is amazing but very much a "mid + 00s digital pedal" giving some of that digital-ness to it, + especially when mixing with other digital pedals. I'm sure you heard + the high pitched wine in the background. I EQ'd it out, but it's + there, and it bothers me. I think getting a CE-2w would give me a lot of + the options I want from this, without those digital artifacts. The CE-20 + would be perfect if it had a vibrato mode, given the CE-1 has one, and + really make it the perfect all-in-one. But given I've had this pedal + for at least 12 years (probably closer to 13. I can dig out the box and + see if I kept the receipt). I got in in college as my first ever chorus. + I was enamoured with it. I'd be on my board today if it wasn't so + big. The Julia is the perfect multi-tool chorus, and I've been really + happy with it. But it lacks that really SLOW rate that the Boss pedals + have, making it a BIT harder to really dial in the CE-1 tones.
+
I joked on mastodon that I was did this to convince myself I don't + NEED a CE-2w or DC-2w...and now I want them even more!
+
+
+ March 18, 2023 +
+
+ © 2023 senders dot io - CC BY-SA 4.0 + unless otherwise noted. +
+
+ + diff --git a/www/blog/music/2023-03-18/audio/cb-1-10oclock.mp3 b/www/blog/music/2023-03-18/audio/cb-1-10oclock.mp3 new file mode 100644 index 0000000..5e0fb60 Binary files /dev/null and b/www/blog/music/2023-03-18/audio/cb-1-10oclock.mp3 differ diff --git a/www/blog/music/2023-03-18/audio/cb-1-2oclock.mp3 b/www/blog/music/2023-03-18/audio/cb-1-2oclock.mp3 new file mode 100644 index 0000000..0613fee Binary files /dev/null and b/www/blog/music/2023-03-18/audio/cb-1-2oclock.mp3 differ diff --git a/www/blog/music/2023-03-18/audio/cb-1-7oclock.mp3 b/www/blog/music/2023-03-18/audio/cb-1-7oclock.mp3 new file mode 100644 index 0000000..06e7432 Binary files /dev/null and b/www/blog/music/2023-03-18/audio/cb-1-7oclock.mp3 differ diff --git a/www/blog/music/2023-03-18/audio/cb-1-off-with-level.mp3 b/www/blog/music/2023-03-18/audio/cb-1-off-with-level.mp3 new file mode 100644 index 0000000..e693acb Binary files /dev/null and b/www/blog/music/2023-03-18/audio/cb-1-off-with-level.mp3 differ diff --git a/www/blog/music/2023-03-18/audio/cb-1-vibrato-d10-r2.mp3 b/www/blog/music/2023-03-18/audio/cb-1-vibrato-d10-r2.mp3 new file mode 100644 index 0000000..76bbf2d Binary files /dev/null and b/www/blog/music/2023-03-18/audio/cb-1-vibrato-d10-r2.mp3 differ diff --git a/www/blog/music/2023-03-18/audio/cb-1-vibrato-d2-r10.mp3 b/www/blog/music/2023-03-18/audio/cb-1-vibrato-d2-r10.mp3 new file mode 100644 index 0000000..b9454ce Binary files /dev/null and b/www/blog/music/2023-03-18/audio/cb-1-vibrato-d2-r10.mp3 differ diff --git a/www/blog/music/2023-03-18/audio/ce-20-ce-1-10oclock.mp3 b/www/blog/music/2023-03-18/audio/ce-20-ce-1-10oclock.mp3 new file mode 100644 index 0000000..63a241e Binary files /dev/null and b/www/blog/music/2023-03-18/audio/ce-20-ce-1-10oclock.mp3 differ diff --git a/www/blog/music/2023-03-18/audio/ce-20-ce-1-7oclock.mp3 b/www/blog/music/2023-03-18/audio/ce-20-ce-1-7oclock.mp3 new file mode 100644 index 0000000..8dd46c8 Binary files /dev/null and b/www/blog/music/2023-03-18/audio/ce-20-ce-1-7oclock.mp3 differ diff --git a/www/blog/music/2023-03-18/audio/ce-20-dimensional-d-3-4.mp3 b/www/blog/music/2023-03-18/audio/ce-20-dimensional-d-3-4.mp3 new file mode 100644 index 0000000..753ca1c Binary files /dev/null and b/www/blog/music/2023-03-18/audio/ce-20-dimensional-d-3-4.mp3 differ diff --git a/www/blog/music/2023-03-18/audio/ce-20-dimensional-d-3.mp3 b/www/blog/music/2023-03-18/audio/ce-20-dimensional-d-3.mp3 new file mode 100644 index 0000000..71d814c Binary files /dev/null and b/www/blog/music/2023-03-18/audio/ce-20-dimensional-d-3.mp3 differ diff --git a/www/blog/music/2023-03-18/audio/ce-20-dimensional-d-4.mp3 b/www/blog/music/2023-03-18/audio/ce-20-dimensional-d-4.mp3 new file mode 100644 index 0000000..bf76aa7 Binary files /dev/null and b/www/blog/music/2023-03-18/audio/ce-20-dimensional-d-4.mp3 differ diff --git a/www/blog/music/2023-03-18/audio/ce-20-rich-r10-d2.mp3 b/www/blog/music/2023-03-18/audio/ce-20-rich-r10-d2.mp3 new file mode 100644 index 0000000..ada00e1 Binary files /dev/null and b/www/blog/music/2023-03-18/audio/ce-20-rich-r10-d2.mp3 differ diff --git a/www/blog/music/2023-03-18/audio/ce-20-standard-r10-d2.mp3 b/www/blog/music/2023-03-18/audio/ce-20-standard-r10-d2.mp3 new file mode 100644 index 0000000..74bd7bf Binary files /dev/null and b/www/blog/music/2023-03-18/audio/ce-20-standard-r10-d2.mp3 differ diff --git a/www/blog/music/2023-03-18/audio/ce-20-standard-r2-d10.mp3 b/www/blog/music/2023-03-18/audio/ce-20-standard-r2-d10.mp3 new file mode 100644 index 0000000..d6ea877 Binary files /dev/null and b/www/blog/music/2023-03-18/audio/ce-20-standard-r2-d10.mp3 differ diff --git a/www/blog/music/2023-03-18/audio/clean.mp3 b/www/blog/music/2023-03-18/audio/clean.mp3 new file mode 100644 index 0000000..0943c6f Binary files /dev/null and b/www/blog/music/2023-03-18/audio/clean.mp3 differ diff --git a/www/blog/music/2023-03-18/audio/julia-chorus-1.mp3 b/www/blog/music/2023-03-18/audio/julia-chorus-1.mp3 new file mode 100644 index 0000000..d9a6900 Binary files /dev/null and b/www/blog/music/2023-03-18/audio/julia-chorus-1.mp3 differ diff --git a/www/blog/music/2023-03-18/audio/julia-chorus-2.mp3 b/www/blog/music/2023-03-18/audio/julia-chorus-2.mp3 new file mode 100644 index 0000000..cadbf0f Binary files /dev/null and b/www/blog/music/2023-03-18/audio/julia-chorus-2.mp3 differ diff --git a/www/blog/music/2023-03-18/audio/julia-chorus-3.mp3 b/www/blog/music/2023-03-18/audio/julia-chorus-3.mp3 new file mode 100644 index 0000000..6425861 Binary files /dev/null and b/www/blog/music/2023-03-18/audio/julia-chorus-3.mp3 differ diff --git a/www/blog/music/2023-03-18/audio/julia-vibrato.mp3 b/www/blog/music/2023-03-18/audio/julia-vibrato.mp3 new file mode 100644 index 0000000..dbfa588 Binary files /dev/null and b/www/blog/music/2023-03-18/audio/julia-vibrato.mp3 differ diff --git a/www/blog/music/2023-03-18/index.html b/www/blog/music/2023-03-18/index.html new file mode 100644 index 0000000..54c8c64 --- /dev/null +++ b/www/blog/music/2023-03-18/index.html @@ -0,0 +1,340 @@ + + + + + + senders.io - music blog - 2023-03-18 + + + + +
+ senders.io +
+ blog github cgit mastodon +
+
+
+
+
A Tour de Chorus
+
I've been talking a lot about chorus on my mastodon, like, A LOT. + So I thought it would be fun to explore my chorus pedals a bit and + present this information in some shareable way, since no one wants to + listen to 18 minutes of audio in a row.
+
What's on display
+
So I have three chorus pedals to show off today:
+
+
Boss CE-20
+
Warlus Audio Julia
+
Multivox CB-1 Chorus Box
+
+
The other gear
+
I will be playing each of these pedals through my THR-100HD (see + my previous music blog post in which I deep dive a + bit into this amp). It's running on the crunch channel, just at + the edge of breakup, with little to no reverb.
+
As for guitar - I am using my Reverend Descent RA Baritone.
+
The demos
+
For each of these demos I will be playing the same loop (mostly). I + recorded a loop into my Boss RC-3 to remove any playing bias towards the + more warbely chorus tones, and to make it easier for me! Each demo is + about 48s long (depending on how good my trimming was). I added a bit of + EQ in post to cut out some digital hum introduced when pairing my CE-20 + with my RC-3 so sorry about that...
+
Let's start with the clean tone:
+
+ +
This loop is something I had been noodling on all week, while on + my chorus kick. I feel it's actually a decent demo because it calls + on a lot of classic chorus sounds. Individually picked notes, bright open + strings, and then at the end some Nirvana-like dark power chord picking. + All classic chorus sounds to me. +
CE-20
+
Next we can go through the CE-20. The CE-20 has 4 modes we'll be + demoing, but there are a total of 6. We are demoing the "Rich", + "Standard", "Dimensional D", and "CE-1" + settings. I skipped the "Acoustic" and "Bass" + settings as they've always felt like some slight EQ on the + "standard" mode.
+
Standard
+
We can start with "Standard" as it's the most "boss + chorus". Though I personally feel it lacks a bit of the bite the + CE-1 and CE-2 offer. But it wouldn't surprise me if + "Standard" was just a CE-2.
+
+
+ CE-20 Standard Mode - Rate 10 o'clock, Depth 2 o'clock +
+
+
+
+ CE-20 Standard Mode - Rate 2 o'clock, Depth 10 o'clock +
+
+
Rich
+
Let's compare this with the "Rich" mode. And keep in + mind the only settings I will be changing between these CE-20 modes is + the rate and depth. There is actually quite a bit of tone controlling you + get in the CE-20. But I generally keep those fairly static based on my + guitar and amp settings, and for the purposes of these demos are + static.
+
+
+ CE-20 Rich Mode - Rate 10 o'clock, Depth 2 o'clock +
+
+
Dimensional D
+
This mode is a recreation of the SDD-320 Dimension D effects unit, + later made into the Boss DC-2. This effect is one of my favorite + choruses. It's so unique. On the CE-20 there are 7 modes: 1 - 4, as + well as 3 "combo" modes: 1+4, 2+4, and 3+4. These map directly + to their SDD-320 counterparts, which also let you stack the modes + together. This really shines in stereo, but since the Julia is mono, I + felt it's only fair to use these how I use them on my board.
+
+
+ CE-20 Dimensional D Mode - Mode 3 +
+
+
+
+ CE-20 Dimensional D Mode - Mode 4 +
+
+
+
+ CE-20 Dimensional D Mode - Mode 3+4 +
+
+
These are always so cool to hear. When you get into the combo modes + you start getting more "chorus" and less just + "width/movement". But these are interesting to listen to + compared to the clean. There is subtle differences - but they're + there! It's almost like it is now less stark and smoother. Like the + notes are lathered in butter, mmm!
+
CE -1
+
Okay, now on to the real show, the CE-1. Not much to say about this + one. It's a CE-1, you have an "intensity" knob, and + it's so rich. The delay rate is much slower than you would expect, + almost logarithmic. But when you get past noon it starts to get quite + seasick.
+ Editors note: 7 o'clock may be a bit higher than 7. None + of these pedals have freaking numbers on their knobs, so it's all a + guess. But it's a bit up from off
+
+
+ CE-20 CE-1 Mode - Intensity 7 o'clock +
+
+
+
+ CE-20 CE-1 Mode - Intensity 10 o'clock +
+
+
Multivox CB-1 Chorus Box
+
The Multivox CB-1 Chorus Box is a CE-1 clone, according to the gear + page, it's literally just the same circuit and components. I got my 5 + years ago because, well, I love chorus. Currently, a part of my rack unit + to be used with my synths, this chorus is just so smooth. But the biggest + trouble is dialing in the right level. You'll notice for the CB-1 + demos it's a different demo recording. I had to move my setup and I + accidentally wiped the RC-3. But because the CB-1 can be a bit tricky to + dial in, it's a bit quieter than the other demo tracks. But the level + control is one of my favorites, as it can add some crunch to the tone on + the peaks, adding a lot of flavor. I am running my guitar through the + "hi" input, because it gives me a bit more play with the input + level.
+
Chorus
+
+
+ CB-1 Chorus Mode - Intensity 7 o'clock +
+
+
+
+ CB-1 Chorus Mode - Intensity 10 o'clock +
+
+
+
+ CB-1 Chorus Mode - Intensity 2 o'clock +
+
+
Vibrato
+
While this is mono, so it's acting like a straight vibrato. When + playing in stereo this creates it's own chorus, the stereo outs are + "dry" and "wet". This differs from the CE-1 chorus + too, so it's like 2 chorus pedals in one. These demos are in + mono.
+
+
+ CB-1 Vibrato Mode - Rate 10 o'clock, Depth 2 o'clock +
+
+
+
+ CB-1 Vibrato Mode - Rate 2 o'clock, Depth 10 o'clock +
+
+
CB-1 Off with Level Boost
+
The CB-1 when over driven (just by the guitar itself) gets really warm + crunch to signal, and it's a lot of fun. I usually run my Model D + through this and I love it.
+
+
+ CB-1 Off - Level to a point where when I dig in it clips heavily +
+
+
Walrus Audio Julia
+
I picked up the Julia because it's such a versatile chorus: giving + you control over the rate, depth, lag, waveform, and mix. This lets you + craft basically ANY chorus sound you want. Exploring sounds, I've + noticed the major limiter being the rate. The Julia is just SO fast. Even + at min rate, it's still faster than like 1/3 of the Boss rates. But + the sounds are still amazing!
+
+
+ Julia - Triangle Wave, Rate 7 o'clock, Depth 2 o'clock, Lag 3 + o'clock, Mix 12 o'clock (chorus) +
+
+
+
+ Julia - Sine Wave, Rate 10 o'clock, Depth 2 o'clock, Lag 9 + o'clock, Mix 12 o'clock (chorus) +
+
+
+
+ Julia - Sine Wave, Rate 9 o'clock, Depth 3 o'clock, Lag 9 + o'clock, Mix 12 o'clock (chorus) +
+
+
+
+ Julia - Triangle Wave, Rate 8 o'clock, Depth 12 o'clock, Lag + 12 o'clock, Mix 5 o'clock (vibrato, max) +
+
+
Thoughts
+
Realistically? I love every single one of these choruses. It's + such an amazing effect, and I was messing around with the dirty channel + too, which still sounded great! The CB-1 was by no means a steal, but + it's my favorite chorus tone. But it comes with some quirks being a + late 70, early 80s device. The CE-20 is amazing but very much a "mid + 00s digital pedal" giving some of that digital-ness to it, + especially when mixing with other digital pedals. I'm sure you heard + the high pitched wine in the background. I EQ'd it out, but it's + there, and it bothers me. I think getting a CE-2w would give me a lot of + the options I want from this, without those digital artifacts. The CE-20 + would be perfect if it had a vibrato mode, given the CE-1 has one, and + really make it the perfect all-in-one. But given I've had this pedal + for at least 12 years (probably closer to 13. I can dig out the box and + see if I kept the receipt). I got in in college as my first ever chorus. + I was enamoured with it. I'd be on my board today if it wasn't so + big. The Julia is the perfect multi-tool chorus, and I've been really + happy with it. But it lacks that really SLOW rate that the Boss pedals + have, making it a BIT harder to really dial in the CE-1 tones.
+
I joked on mastodon that I was did this to convince myself I don't + NEED a CE-2w or DC-2w...and now I want them even more!
+
+
+ March 18, 2023 +
+
+ © 2023 senders dot io - CC BY-SA 4.0 + unless otherwise noted. +
+
+ + diff --git a/www/diffs/sh-vim.diff b/www/diffs/sh-vim.diff new file mode 100644 index 0000000..9a53127 --- /dev/null +++ b/www/diffs/sh-vim.diff @@ -0,0 +1,13 @@ +diff --git a/runtime/syntax/sh.vim b/runtime/syntax/sh.vim +index 13d74dbc1..42151f41b 100644 +--- a/runtime/syntax/sh.vim ++++ b/runtime/syntax/sh.vim +@@ -335,7 +335,7 @@ syn match shEscape contained '\%(^\)\@!\%(\\\\\)*\\.' nextgroup=shComment + " systems too, however, so the following syntax will flag $(..) as + " an Error under /bin/sh. By consensus of vimdev'ers! + if exists("b:is_kornshell") || exists("b:is_bash") || exists("b:is_posix") +- syn region shCommandSub matchgroup=shCmdSubRegion start="\$(\ze[^(]\|$" skip='\\\\\|\\.' end=")" contains=@shCommandSubList ++ syn region shCommandSub matchgroup=shCmdSubRegion start="\$(\ze[^(]\?" skip='\\\\\|\\.' end=")" contains=@shCommandSubList + syn region shArithmetic matchgroup=shArithRegion start="\$((" skip='\\\\\|\\.' end="))" contains=@shArithList + syn region shArithmetic matchgroup=shArithRegion start="\$\[" skip='\\\\\|\\.' end="\]" contains=@shArithList + syn match shSkipInitWS contained "^\s\+" diff --git a/www/diffs/sh-vim.html b/www/diffs/sh-vim.html new file mode 100644 index 0000000..d41adf3 --- /dev/null +++ b/www/diffs/sh-vim.html @@ -0,0 +1,44 @@ + + + + + senders - diffs + + +
+
There is an outstanding issue in Vim's shell syntax file. A patch + was made that broke syntax that used almost any changes. I originally made + my own patch that worked for the most part, but in heavily neasted commands + it broke down. In the mailing list the following change was proposed. I am + supplying this diff for my own sanity so when my syntax file gets reset and + is still broken I can apply the diff :)
+
+
+ Download: sh-vim.diff +
+
```
+diff --git a/runtime/syntax/sh.vim b/runtime/syntax/sh.vim
+index 13d74dbc1..42151f41b 100644
+--- a/runtime/syntax/sh.vim
++++ b/runtime/syntax/sh.vim
+@@ -335,7 +335,7 @@ syn match   shEscape        contained       '\%(^\)\@!\%(\\\\\)*\\.'        nextgroup=shComment
+ " systems too, however, so the following syntax will flag $(..) as
+ " an Error under /bin/sh.  By consensus of vimdev'ers!
+ if exists("b:is_kornshell") || exists("b:is_bash") || exists("b:is_posix")
+- syn region shCommandSub matchgroup=shCmdSubRegion start="\$(\ze[^(]\|$"  skip='\\\\\|\\.' end=")"  contains=@shCommandSubList
++ syn region shCommandSub matchgroup=shCmdSubRegion start="\$(\ze[^(]\?"  skip='\\\\\|\\.' end=")"  contains=@shCommandSubList
+  syn region shArithmetic matchgroup=shArithRegion  start="\$((" skip='\\\\\|\\.' end="))" contains=@shArithList
+  syn region shArithmetic matchgroup=shArithRegion  start="\$\[" skip='\\\\\|\\.' end="\]" contains=@shArithList
+  syn match  shSkipInitWS contained     "^\s\+"
+    
```
+
+ Vim Dev Mailing List Thread - + Archive (Google Groups) +
+ + diff --git a/www/wishlist.html b/www/wishlist.html index 6c80cb1..c589b6a 100644 --- a/www/wishlist.html +++ b/www/wishlist.html @@ -111,50 +111,6 @@ ^ - - Jimi Hendrix - Are You Experinced - - Discogs - - - - - KANGA - KANGA (CD) - - Discogs - - - - - KANGA - Eternal Daughter (CD) - - Bandcamp - - 💖 - - - KANGA - You and I Will Never Die (CD) - - Bandcamp - - 💖 - Khemmis Absolution @@ -239,12 +195,12 @@ target="_blank" href="https://www.jetpens.com/Fountain-Pen-Inks/ct/3250">Jetpens Store
- -
- © 2023 senders dot io - CC BY-SA 4.0 - unless otherwise noted. +
+ © 2023 senders dot io - CC BY-SA 4.0 + unless otherwise noted. +

-- cgit v1.2.3-54-g00ecf

A Tour de Chorus

What's on display

The other gear

The demos

CE-20

Standard

Rich

Dimensional D

CE -1

Multivox CB-1 Chorus Box

Chorus

Vibrato

CB-1 Off with Level Boost

Walrus Audio Julia

Thoughts

Music Blog?!

Reworking my THR100HD

Dual Amping

Results after one night

Thoughts

Future

Blog Index

A Tour de Chorus

What's on display

The other gear

The demos

CE-20

Standard

Rich

Dimensional D

CE -1

Multivox CB-1 Chorus Box

Chorus

Vibrato

CB-1 Off with Level Boost

Walrus Audio Julia

Thoughts

A Tour de Chorus

What's on display

The other gear

The demos

CE-20

Standard

Rich

Dimensional D

CE -1

Multivox CB-1 Chorus Box

Chorus

Vibrato

CB-1 Off with Level Boost

Walrus Audio Julia

Thoughts