From a0fbc8e612091c3299e193da44e7dde426776dea Mon Sep 17 00:00:00 2001
From: Bill <bill@billserver.senders.io>
Date: Sat, 1 Apr 2023 21:31:09 -0400
Subject: Commit files after some time
mp3s committed - we likely need to sort those out w/ git
---
mds/blog/blog-index.md | 2 +
mds/wishlist.md | 4 -
rss/items.xml | 390 ++++++++++++++++++++
update-blog-index.sh | 1 +
www/blog/feed.rss | 394 ++++++++++++++++++++-
www/blog/index.html | 8 +
www/blog/music/2023-01-06/index.html | 14 +-
www/blog/music/2023-03-18/a-tour-de-chorus.html | 340 ++++++++++++++++++
www/blog/music/2023-03-18/audio/cb-1-10oclock.mp3 | Bin 0 -> 1682368 bytes
www/blog/music/2023-03-18/audio/cb-1-2oclock.mp3 | Bin 0 -> 1653111 bytes
www/blog/music/2023-03-18/audio/cb-1-7oclock.mp3 | Bin 0 -> 1653111 bytes
.../music/2023-03-18/audio/cb-1-off-with-level.mp3 | Bin 0 -> 1682368 bytes
.../music/2023-03-18/audio/cb-1-vibrato-d10-r2.mp3 | Bin 0 -> 1653111 bytes
.../music/2023-03-18/audio/cb-1-vibrato-d2-r10.mp3 | Bin 0 -> 1653111 bytes
.../music/2023-03-18/audio/ce-20-ce-1-10oclock.mp3 | Bin 0 -> 1922695 bytes
.../music/2023-03-18/audio/ce-20-ce-1-7oclock.mp3 | Bin 0 -> 1922695 bytes
.../2023-03-18/audio/ce-20-dimensional-d-3-4.mp3 | Bin 0 -> 1902842 bytes
.../2023-03-18/audio/ce-20-dimensional-d-3.mp3 | Bin 0 -> 1901797 bytes
.../2023-03-18/audio/ce-20-dimensional-d-4.mp3 | Bin 0 -> 1935234 bytes
.../music/2023-03-18/audio/ce-20-rich-r10-d2.mp3 | Bin 0 -> 1984344 bytes
.../2023-03-18/audio/ce-20-standard-r10-d2.mp3 | Bin 0 -> 1922695 bytes
.../2023-03-18/audio/ce-20-standard-r2-d10.mp3 | Bin 0 -> 1945683 bytes
www/blog/music/2023-03-18/audio/clean.mp3 | Bin 0 -> 1931054 bytes
www/blog/music/2023-03-18/audio/julia-chorus-1.mp3 | Bin 0 -> 1882989 bytes
www/blog/music/2023-03-18/audio/julia-chorus-2.mp3 | Bin 0 -> 1939413 bytes
www/blog/music/2023-03-18/audio/julia-chorus-3.mp3 | Bin 0 -> 1972850 bytes
www/blog/music/2023-03-18/audio/julia-vibrato.mp3 | Bin 0 -> 1882989 bytes
www/blog/music/2023-03-18/index.html | 340 ++++++++++++++++++
www/diffs/sh-vim.diff | 13 +
www/diffs/sh-vim.html | 44 +++
www/wishlist.html | 56 +--
31 files changed, 1544 insertions(+), 62 deletions(-)
create mode 100755 update-blog-index.sh
create mode 100644 www/blog/music/2023-03-18/a-tour-de-chorus.html
create mode 100644 www/blog/music/2023-03-18/audio/cb-1-10oclock.mp3
create mode 100644 www/blog/music/2023-03-18/audio/cb-1-2oclock.mp3
create mode 100644 www/blog/music/2023-03-18/audio/cb-1-7oclock.mp3
create mode 100644 www/blog/music/2023-03-18/audio/cb-1-off-with-level.mp3
create mode 100644 www/blog/music/2023-03-18/audio/cb-1-vibrato-d10-r2.mp3
create mode 100644 www/blog/music/2023-03-18/audio/cb-1-vibrato-d2-r10.mp3
create mode 100644 www/blog/music/2023-03-18/audio/ce-20-ce-1-10oclock.mp3
create mode 100644 www/blog/music/2023-03-18/audio/ce-20-ce-1-7oclock.mp3
create mode 100644 www/blog/music/2023-03-18/audio/ce-20-dimensional-d-3-4.mp3
create mode 100644 www/blog/music/2023-03-18/audio/ce-20-dimensional-d-3.mp3
create mode 100644 www/blog/music/2023-03-18/audio/ce-20-dimensional-d-4.mp3
create mode 100644 www/blog/music/2023-03-18/audio/ce-20-rich-r10-d2.mp3
create mode 100644 www/blog/music/2023-03-18/audio/ce-20-standard-r10-d2.mp3
create mode 100644 www/blog/music/2023-03-18/audio/ce-20-standard-r2-d10.mp3
create mode 100644 www/blog/music/2023-03-18/audio/clean.mp3
create mode 100644 www/blog/music/2023-03-18/audio/julia-chorus-1.mp3
create mode 100644 www/blog/music/2023-03-18/audio/julia-chorus-2.mp3
create mode 100644 www/blog/music/2023-03-18/audio/julia-chorus-3.mp3
create mode 100644 www/blog/music/2023-03-18/audio/julia-vibrato.mp3
create mode 100644 www/blog/music/2023-03-18/index.html
create mode 100644 www/diffs/sh-vim.diff
create mode 100644 www/diffs/sh-vim.html
diff --git a/mds/blog/blog-index.md b/mds/blog/blog-index.md
index 5d13372..cc127bb 100644
--- a/mds/blog/blog-index.md
+++ b/mds/blog/blog-index.md
@@ -2,6 +2,8 @@
# Blog Index
<!--NEXT-->
+1. [2023-03-18 - Music: A Tour de Chorus](/blog/music/2023-03-18/)
+1. [2023-01-06 - Music: Reworking my THR100HD](/blog/music/2023-01-06/)
1. [2023-01-06 - How I Generate My RSS Feed](/blog/2023-01-06/)
1. [2023-01-03 - Music Spotlight: My Top Album 2022](/blog/2023-01-03/)
1. [2022-12-31 - RSS - A Follow-up](/blog/2022-12-31/)
diff --git a/mds/wishlist.md b/mds/wishlist.md
index 0723f8c..2d99bfd 100644
--- a/mds/wishlist.md
+++ b/mds/wishlist.md
@@ -20,10 +20,6 @@ And you [check my discogs wantlist](https://www.discogs.com/wantlist?user=sender
| Iron Maiden | Piece of Mind | ^ |
| Iron Maiden | Powerslave | ^ |
| Iron Maiden | Brave New World | ^ |
-| Jimi Hendrix | Are You Experinced | [Discogs](https://www.discogs.com/artist/110593-Jimi-Hendrix) |
-| KANGA | KANGA (CD) | [Discogs](https://www.discogs.com/release/9368901-Kanga-Kanga) | |
-| KANGA | Eternal Daughter (CD) | [Bandcamp](https://kanga.bandcamp.com/album/eternal-daughter) | 💖 |
-| KANGA | You and I Will Never Die (CD) | [Bandcamp](https://kanga.bandcamp.com/album/you-and-i-will-never-die) | 💖 |
| Khemmis | Absolution | [LP Merch Site](https://www.20buckspin.com/collections/khemmis), [Discogs](https://www.discogs.com/artist/4497438-Khemmis) | 💖 |
| Khemmis | Haunted | ^ | 💖 |
| Khemmis | Desolation | ^ | 💖 |
diff --git a/rss/items.xml b/rss/items.xml
index e2ee530..d1be0ce 100644
--- a/rss/items.xml
+++ b/rss/items.xml
@@ -1,3 +1,393 @@
+ <item>
+ <title>Music: A Tour de Chorus</title>
+ <link>https://www.senders.io/blog/music/2023-03-18/</link>
+ <guid isPermaLink="true">https://www.senders.io/blog/music/2023-03-18/index.html</guid>
+ <pubDate>Sat, 18 Mar 2023 23:12:23 -0400</pubDate>
+ <description>
+ <![CDATA[
+ <article>
+ <h1>A Tour de Chorus</h1>
+ <p>I've been talking a lot about chorus on my mastodon, like, A LOT.
+ So I thought it would be fun to explore my chorus pedals a bit and
+ present this information in some shareable way, since no one wants to
+ listen to 18 minutes of audio in a row.</p>
+ <h2>What's on display</h2>
+ <p>So I have three chorus pedals to show off today:</p>
+ <ul>
+ <li>Boss CE-20</li>
+ <li>Warlus Audio Julia</li>
+ <li>Multivox CB-1 Chorus Box</li>
+ </ul>
+ <h2>The other gear</h2>
+ <p>I will be playing each of these pedals through my THR-100HD (see
+ <a href="/blog/music/2023-01-06/"
+ rel="me noopener"
+ target="_blank">my previous music blog post</a> in which I deep dive a
+ bit into this amp). It's running on the crunch channel, just at
+ the edge of breakup, with little to no reverb.</p>
+ <p>As for guitar. I am using my Reverend Descent RA Baritone</p>
+ <h2>The demos</h2>
+ <p>For each of these demos I will be playing the same loop (mostly). I
+ recorded a loop into my Boss RC-3 to remove any playing bias towards the
+ more warbely chorus tones, and to make it easier for me! Each demo is
+ about 48s long (depending on how good my trimming was). I added a bit of
+ EQ in post to cut out some digital hum introduced when pairing my CE-20
+ with my RC-3 so sorry about that...</p>
+ <p>Let's start with the clean tone:</p>
+ <figure>
+ <audio controls=""><source src="/blog/music/2023-03-18/audio/clean.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/clean.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>This loop is something I had been noodling on all week, while on
+ my chorus kick. I feel it's actually a decent demo because it calls
+ on a lot of classic chorus sounds. Individually picked notes, bright open
+ strings, and then at the end some Nirvana-like dark power chord picking.
+ All classic chorus sounds to me.
+ <h3>CE-20</h3>
+ <p>Next we can go through the CE-20. The CE-20 has 4 modes we'll be
+ demoing, but there are a total of 6. We are demoing the "Rich",
+ "Standard", "Dimensional D", and "CE-1"
+ settings. I skipped the "Acoustic" and "Bass"
+ settings as they've always felt like some slight EQ on the
+ "standard" mode.</p>
+ <h4>Standard</h4>
+ <p>We can start with "Standard" as it's the most "boss
+ chorus". Though I personally feel it lacks a bit of the bite the
+ CE-1 and CE-2 offer. But it wouldn't surprise me if
+ "Standard" was just a CE-2.</p>
+ <figure>
+ <figcaption>
+ CE-20 Standard Mode - Rate 10 o'clock, Depth 2 o'clock
+ </figcaption><audio controls=""><source src=
+ "/blog/music/2023-03-18/audio/ce-20-standard-r10-d2.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/ce-20-standard-r10-d2.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>
+ <figure>
+ <figcaption>
+ CE-20 Standard Mode - Rate 2 o'clock, Depth 10 o'clock
+ </figcaption><audio controls=""><source src=
+ "/blog/music/2023-03-18/audio/ce-20-standard-r2-d10.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/ce-20-standard-r2-d10.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>
+ <h4>Rich</h4>
+ <p>Let's compare this with the "Rich" mode. And keep in
+ mind the only settings I will be changing between these CE-20 modes is
+ the rate and depth. There is actually quite a bit of tone controlling you
+ get in the CE-20. But I generally keep those fairly static based on my
+ guitar and amp settings, and for the purposes of these demos are
+ static.</p>
+ <figure>
+ <figcaption>
+ CE-20 Rich Mode - Rate 10 o'clock, Depth 2 o'clock
+ </figcaption><audio controls=""><source src=
+ "/blog/music/2023-03-18/audio/ce-20-rich-r10-d2.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/ce-20-rich-r10-d2.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>
+ <h4>Dimensional D</h4>
+ <p>This mode is a recreation of the SDD-320 Dimension D effects unit,
+ later made into the Boss DC-2. This effect is one of my favorite
+ choruses. It's so unique. On the CE-20 there are 7 modes: 1 - 4, as
+ well as 3 "combo" modes: 1+4, 2+4, and 3+4. These map directly
+ to their SDD-320 counterparts, which also let you stack the modes
+ together. This really shines in stereo, but since the Julia is mono, I
+ felt it's only fair to use these how I use them on my board.</p>
+ <figure>
+ <figcaption>
+ CE-20 Dimensional D Mode - Mode 3
+ </figcaption><audio controls=""><source src=
+ "/blog/music/2023-03-18/audio/ce-20-dimensional-d-3.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/ce-20-dimensional-d-3.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>
+ <figure>
+ <figcaption>
+ CE-20 Dimensional D Mode - Mode 4
+ </figcaption><audio controls=""><source src=
+ "/blog/music/2023-03-18/audio/ce-20-dimensional-d-4.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/ce-20-dimensional-d-4.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>
+ <figure>
+ <figcaption>
+ CE-20 Dimensional D Mode - Mode 3+4
+ </figcaption><audio controls=""><source src=
+ "/blog/music/2023-03-18/audio/ce-20-dimensional-d-3-4.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/ce-20-dimensional-d-3-4.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>
+ <p>These are always so cool to hear. When you get into the combo modes
+ you start getting more "chorus" and less just
+ "width/movement". But these are interesting to listen to
+ compared to the clean. There is subtle differences - but they're
+ there! It's almost like it is now less stark and smoother. Like the
+ notes are lathered in butter, mmm!</p>
+ <h4>CE -1</h4>
+ <p>Okay, now on to the real show, the CE-1. Not much to say about this
+ one. It's a CE-1, you have an "intensity" knob, and
+ it's so rich. The delay rate is much slower than you would expect,
+ almost logarithmic. But when you get past noon it starts to get quite
+ seasick.<br>
+ <small><em>Editors note: 7 o'clock may be a bit higher than 7. None
+ of these pedals have freaking numbers on their knobs, so it's all a
+ guess. But it's a bit up from off</em></small></p>
+ <figure>
+ <figcaption>
+ CE-20 CE-1 Mode - Intensity 7 o'clock
+ </figcaption><audio controls=""><source src=
+ "/blog/music/2023-03-18/audio/ce-20-ce-1-7oclock.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/ce-20-ce-1-7oclock.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>
+ <figure>
+ <figcaption>
+ CE-20 CE-1 Mode - Intensity 10 o'clock
+ </figcaption><audio controls=""><source src=
+ "/blog/music/2023-03-18/audio/ce-20-ce-1-10oclock.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/ce-20-ce-1-10oclock.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>
+ <h3>Multivox CB-1 Chorus Box</h3>
+ <p>The Multivox CB-1 Chorus Box is a CE-1 clone, according to the gear
+ page, it's literally just the same circuit and components. I got my 5
+ years ago because, well, I love chorus. Currently, a part of my rack unit
+ to be used with my synths, this chorus is just so smooth. But the biggest
+ trouble is dialing in the right level. You'll notice for the CB-1
+ demos it's a different demo recording. I had to move my setup and I
+ accidentally wiped the RC-3. But because the CB-1 can be a bit tricky to
+ dial in, it's a bit quieter than the other demo tracks. But the level
+ control is one of my favorites, as it can add some crunch to the tone on
+ the peaks, adding a lot of flavor. I am running my guitar through the
+ "hi" input, because it gives me a bit more play with the input
+ level.</p>
+ <h4>Chorus</h4>
+ <figure>
+ <figcaption>
+ CB-1 Chorus Mode - Intensity 7 o'clock
+ </figcaption><audio controls=""><source src="/blog/music/2023-03-18/audio/cb-1-7oclock.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/cb-1-7oclock.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>
+ <figure>
+ <figcaption>
+ CB-1 Chorus Mode - Intensity 10 o'clock
+ </figcaption><audio controls=""><source src=
+ "/blog/music/2023-03-18/audio/cb-1-10oclock.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/cb-1-10oclock.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>
+ <figure>
+ <figcaption>
+ CB-1 Chorus Mode - Intensity 2 o'clock
+ </figcaption><audio controls=""><source src="/blog/music/2023-03-18/audio/cb-1-2oclock.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/cb-1-2oclock.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>
+ <h4>Vibrato</h4>
+ <p>While this is mono, so it's acting like a straight vibrato. When
+ playing in stereo this creates it's own chorus, the stereo outs are
+ "dry" and "wet". This differs from the CE-1 chorus
+ too, so it's like 2 chorus pedals in one. These demos are in
+ mono.</p>
+ <figure>
+ <figcaption>
+ CB-1 Vibrato Mode - Rate 10 o'clock, Depth 2 o'clock
+ </figcaption><audio controls=""><source src=
+ "/blog/music/2023-03-18/audio/cb-1-vibrato-d2-r10.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/cb-1-vibrato-d2-r10.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>
+ <figure>
+ <figcaption>
+ CB-1 Vibrato Mode - Rate 2 o'clock, Depth 10 o'clock
+ </figcaption><audio controls=""><source src=
+ "/blog/music/2023-03-18/audio/cb-1-vibrato-d10-r2.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/cb-1-vibrato-d10-r2.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>
+ <h4>CB-1 Off with Level Boost</h4>
+ <p>The CB-1 when over driven (just by the guitar itself) gets really warm
+ crunch to signal, and it's a lot of fun. I usually run my Model D
+ through this and I love it.</p>
+ <figure>
+ <figcaption>
+ CB-1 Off - Level to a point where when I dig in it clips heavily
+ </figcaption><audio controls=""><source src=
+ "/blog/music/2023-03-18/audio/cb-1-off-with-level.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/cb-1-off-with-level.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>
+ <h3>Walrus Audio Julia</h3>
+ <p>I picked up the Julia because it's such a versatile chorus: giving
+ you control over the rate, depth, lag, waveform, and mix. This lets you
+ craft basically ANY chorus sound you want. Exploring sounds, I've
+ noticed the major limiter being the rate. The Julia is just SO fast. Even
+ at min rate, it's still faster than like 1/3 of the Boss rates. But
+ the sounds are still amazing!</p>
+ <figure>
+ <figcaption>
+ Julia - Triangle Wave, Rate 7 o'clock, Depth 2 o'clock, Lag 3
+ o'clock, Mix 12 o'clock (chorus)
+ </figcaption><audio controls=""><source src=
+ "/blog/music/2023-03-18/audio/julia-chorus-1.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/julia-chorus-1.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>
+ <figure>
+ <figcaption>
+ Julia - Sine Wave, Rate 10 o'clock, Depth 2 o'clock, Lag 9
+ o'clock, Mix 12 o'clock (chorus)
+ </figcaption><audio controls=""><source src=
+ "/blog/music/2023-03-18/audio/julia-chorus-2.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/julia-chorus-2.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>
+ <figure>
+ <figcaption>
+ Julia - Sine Wave, Rate 9 o'clock, Depth 3 o'clock, Lag 9
+ o'clock, Mix 12 o'clock (chorus)
+ </figcaption><audio controls=""><source src=
+ "/blog/music/2023-03-18/audio/julia-chorus-3.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/julia-chorus-3.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>
+ <figure>
+ <figcaption>
+ Julia - Triangle Wave, Rate 8 o'clock, Depth 12 o'clock, Lag
+ 12 o'clock, Mix 5 o'clock (vibrato, max)
+ </figcaption><audio controls=""><source src=
+ "/blog/music/2023-03-18/audio/julia-vibrato.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/julia-vibrato.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>
+ <h2>Thoughts</h2>
+ <p>Realistically? I love every single one of these choruses. It's
+ such an amazing effect, and I was messing around with the dirty channel
+ too, which still sounded great! The CB-1 was by no means a steal, but
+ it's my favorite chorus tone. But it comes with some quirks being a
+ late 70, early 80s device. The CE-20 is amazing but very much a "mid
+ 00s digital pedal" giving some of that digital-ness to it,
+ especially when mixing with other digital pedals. I'm sure you heard
+ the high pitched wine in the background. I EQ'd it out, but it's
+ there, and it bothers me. I think getting a CE-2w would give me a lot of
+ the options I want from this, without those digital artifacts. The CE-20
+ would be perfect if it had a vibrato mode, given the CE-1 has one, and
+ really make it the perfect all-in-one. But given I've had this pedal
+ for at least 12 years (probably closer to 13. I can dig out the box and
+ see if I kept the receipt). I got in in college as my first ever chorus.
+ I was enamoured with it. I'd be on my board today if it wasn't so
+ big. The Julia is the perfect multi-tool chorus, and I've been really
+ happy with it. But it lacks that really SLOW rate that the Boss pedals
+ have, making it a BIT harder to really dial in the CE-1 tones.</p>
+ <p>I joked on mastodon that I was did this to convince myself I don't
+ NEED a CE-2w or DC-2w...and now I want them even more!</p>
+ </article>
+ ]]>
+ </description>
+ </item>
+ <item>
+ <title>Music: Reworking my THR100HD</title>
+ <link>https://www.senders.io/blog/music/2023-01-06/</link>
+ <guid isPermaLink="true">https://www.senders.io/blog/music/2023-01-06/index.html</guid>
+ <pubDate>Fri, 06 Jan 2023 00:00:00 -0500</pubDate>
+ <description>
+ <![CDATA[
+ <article>
+ <h1>Music Blog?!</h1>
+ <p>I wanted to make a little blog section to just talk about my music
+ making. Mainly, to save my friends from enduring my thinking out
+ loud.</p>
+ <h2>Reworking my THR100HD</h2>
+ <p>I have a <a href=
+ "https://usa.yamaha.com/products/musical_instruments/guitars_basses/amps_accessories/thr100hd/index.html"
+ rel="external noopener noreferrer"
+ target="_blank">Yamaha THR100H Dual</a> which is a nice modeling amp
+ with two "amps". Typically, I run these in parallel so I am
+ running through BOTH at the same time. As of late I am actually
+ considering moving to dialing in separate tones, and using my <a href=
+ "https://www.joyoaudio.com/product/88.html"
+ rel="external noopener noexternal"
+ target="_blank">Joyo PXL-Live</a> to act as a "channel"
+ switcher.</p>
+ <h3>Dual Amping</h3>
+ <p>Honestly, dual amping is my <em>favorite</em> thing. And I would hate
+ to give it up, as it gives my tones SO much depth. But I find when I try
+ to mix my guitars that extra depth just makes mixing a bit more of a
+ hassle than need be. But Mick of "That Pedal Show" on YouTube I
+ feel feels similarly, considering in <a href=
+ "https://www.youtube.com/watch?v=uMvhraRDvDs"
+ rel="noopener external noreferrer"
+ target="_blank">one of their "use less" challenge videos</a>
+ he used two amps for maximum tone shaping - which I feel adds some
+ justification to my efforts!</p>
+ <h2>Results after one night</h2>
+ <p>I spent an hour or so tonight messing around with my setup and came
+ out with the following high gain tone:</p>
+ <figure>
+ <figcaption>
+ "Rezzed" - Hi-gain dual amped Baritone guitar
+ </figcaption><audio controls=""><source src=
+ "/blog/music/2023-01-06/audio/rezzed-senders-io-audio.mp3">
+ <source src="/blog/music/2023-01-06/audio/rezzed-senders-io-audio.ogg">
+ <p>Download <a href=
+ "/blog/music/2023-01-06/audio/rezzed-senders-io-audio.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a> or <a href=
+ "/blog/music/2023-01-06/audio/rezzed-senders-io-audio.ogg"
+ rel="me noopner"
+ target="_blank">OGG</a></p></audio>
+ <figcaption>
+ <em><small>No copyright</small></em>
+ </figcaption>
+ </figure>
+ <h3>Thoughts</h3>
+ <p>I feel its a bit... boomy still. There is some extra weight coming
+ from the "clean" channel that I think is causing this to lose
+ some clarity. I don't think if I wanted to add a mix around this
+ I'd even end up keeping it. Or I would do some heavy EQing to that
+ channel. Here is what I have dialed in so far:</p>
+ <figure>
+ <img src=
+ "/blog/music/2023-01-06/img/thr100hd-settings-senders-io-img.jpg"
+ alt=
+ "A photo of the front face knobs of my Yamaha THR100HD. The top amp is set to the clean setting, the booster is turned off. The gain is roughly at 3 O'Clock, Master at 9 O'Clock, Bass at 10 O'Clock, Middle at 2 O'Clock, Presense off, Rever off, and Volume at 11 O'Clock. The bottom amp is set to Modern, with the booster turned off. The gain is set to around 2:30, Master at 10 O'Clock, Bass at a bit below 9 O'Clock, Middle at 2 O'Clock, Treble at 1 O'Clock, Presents at 1:30, Rever off, and Volume a little above 9 O'Clock"
+ role="img"
+ width="100%">
+ <figcaption>
+ <em>Current dual amp settings</em>
+ </figcaption>
+ </figure>
+ <h2>Future</h2>
+ <p>In the future I plan to setup different profiles between each the 5
+ channels per amp - so they're all useable and I can just do single
+ amping - as that provides me the FX loop until I setup a proper stereo
+ board. But until then - this is the setup I've been using and I
+ rarely touch the back!</p>
+ </article>
+ ]]>
+ </description>
+ </item>
<item>
<title>How I Generate My RSS Feed</title>
<link>https://www.senders.io/blog/2023-01-06/</link>
diff --git a/update-blog-index.sh b/update-blog-index.sh
new file mode 100755
index 0000000..bab50b2
--- /dev/null
+++ b/update-blog-index.sh
@@ -0,0 +1 @@
+./compile-md.sh page "Blog Index" mds/blog/blog-index.md www/blog/index.html
diff --git a/www/blog/feed.rss b/www/blog/feed.rss
index f929be1..a36438f 100644
--- a/www/blog/feed.rss
+++ b/www/blog/feed.rss
@@ -7,8 +7,398 @@
<copyright>2023 senders dot io - CC BY-SA 4.0</copyright>
<language>en-US</language>
<ttl>60</ttl>
- <lastBuildDate>Fri, 06 Jan 2023 18:56:10 -0500</lastBuildDate>
- <pubDate>Fri, 06 Jan 2023 00:00:00 -0500</pubDate>
+ <lastBuildDate>Sat, 18 Mar 2023 23:12:23 -0400</lastBuildDate>
+ <pubDate>Sat, 18 Mar 2023 23:12:23 -0400</pubDate>
+ <item>
+ <title>Music: A Tour de Chorus</title>
+ <link>https://www.senders.io/blog/music/2023-03-18/</link>
+ <guid isPermaLink="true">https://www.senders.io/blog/music/2023-03-18/index.html</guid>
+ <pubDate>Sat, 18 Mar 2023 23:12:23 -0400</pubDate>
+ <description>
+ <![CDATA[
+ <article>
+ <h1>A Tour de Chorus</h1>
+ <p>I've been talking a lot about chorus on my mastodon, like, A LOT.
+ So I thought it would be fun to explore my chorus pedals a bit and
+ present this information in some shareable way, since no one wants to
+ listen to 18 minutes of audio in a row.</p>
+ <h2>What's on display</h2>
+ <p>So I have three chorus pedals to show off today:</p>
+ <ul>
+ <li>Boss CE-20</li>
+ <li>Warlus Audio Julia</li>
+ <li>Multivox CB-1 Chorus Box</li>
+ </ul>
+ <h2>The other gear</h2>
+ <p>I will be playing each of these pedals through my THR-100HD (see
+ <a href="/blog/music/2023-01-06/"
+ rel="me noopener"
+ target="_blank">my previous music blog post</a> in which I deep dive a
+ bit into this amp). It's running on the crunch channel, just at
+ the edge of breakup, with little to no reverb.</p>
+ <p>As for guitar. I am using my Reverend Descent RA Baritone</p>
+ <h2>The demos</h2>
+ <p>For each of these demos I will be playing the same loop (mostly). I
+ recorded a loop into my Boss RC-3 to remove any playing bias towards the
+ more warbely chorus tones, and to make it easier for me! Each demo is
+ about 48s long (depending on how good my trimming was). I added a bit of
+ EQ in post to cut out some digital hum introduced when pairing my CE-20
+ with my RC-3 so sorry about that...</p>
+ <p>Let's start with the clean tone:</p>
+ <figure>
+ <audio controls=""><source src="/blog/music/2023-03-18/audio/clean.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/clean.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>This loop is something I had been noodling on all week, while on
+ my chorus kick. I feel it's actually a decent demo because it calls
+ on a lot of classic chorus sounds. Individually picked notes, bright open
+ strings, and then at the end some Nirvana-like dark power chord picking.
+ All classic chorus sounds to me.
+ <h3>CE-20</h3>
+ <p>Next we can go through the CE-20. The CE-20 has 4 modes we'll be
+ demoing, but there are a total of 6. We are demoing the "Rich",
+ "Standard", "Dimensional D", and "CE-1"
+ settings. I skipped the "Acoustic" and "Bass"
+ settings as they've always felt like some slight EQ on the
+ "standard" mode.</p>
+ <h4>Standard</h4>
+ <p>We can start with "Standard" as it's the most "boss
+ chorus". Though I personally feel it lacks a bit of the bite the
+ CE-1 and CE-2 offer. But it wouldn't surprise me if
+ "Standard" was just a CE-2.</p>
+ <figure>
+ <figcaption>
+ CE-20 Standard Mode - Rate 10 o'clock, Depth 2 o'clock
+ </figcaption><audio controls=""><source src=
+ "/blog/music/2023-03-18/audio/ce-20-standard-r10-d2.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/ce-20-standard-r10-d2.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>
+ <figure>
+ <figcaption>
+ CE-20 Standard Mode - Rate 2 o'clock, Depth 10 o'clock
+ </figcaption><audio controls=""><source src=
+ "/blog/music/2023-03-18/audio/ce-20-standard-r2-d10.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/ce-20-standard-r2-d10.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>
+ <h4>Rich</h4>
+ <p>Let's compare this with the "Rich" mode. And keep in
+ mind the only settings I will be changing between these CE-20 modes is
+ the rate and depth. There is actually quite a bit of tone controlling you
+ get in the CE-20. But I generally keep those fairly static based on my
+ guitar and amp settings, and for the purposes of these demos are
+ static.</p>
+ <figure>
+ <figcaption>
+ CE-20 Rich Mode - Rate 10 o'clock, Depth 2 o'clock
+ </figcaption><audio controls=""><source src=
+ "/blog/music/2023-03-18/audio/ce-20-rich-r10-d2.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/ce-20-rich-r10-d2.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>
+ <h4>Dimensional D</h4>
+ <p>This mode is a recreation of the SDD-320 Dimension D effects unit,
+ later made into the Boss DC-2. This effect is one of my favorite
+ choruses. It's so unique. On the CE-20 there are 7 modes: 1 - 4, as
+ well as 3 "combo" modes: 1+4, 2+4, and 3+4. These map directly
+ to their SDD-320 counterparts, which also let you stack the modes
+ together. This really shines in stereo, but since the Julia is mono, I
+ felt it's only fair to use these how I use them on my board.</p>
+ <figure>
+ <figcaption>
+ CE-20 Dimensional D Mode - Mode 3
+ </figcaption><audio controls=""><source src=
+ "/blog/music/2023-03-18/audio/ce-20-dimensional-d-3.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/ce-20-dimensional-d-3.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>
+ <figure>
+ <figcaption>
+ CE-20 Dimensional D Mode - Mode 4
+ </figcaption><audio controls=""><source src=
+ "/blog/music/2023-03-18/audio/ce-20-dimensional-d-4.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/ce-20-dimensional-d-4.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>
+ <figure>
+ <figcaption>
+ CE-20 Dimensional D Mode - Mode 3+4
+ </figcaption><audio controls=""><source src=
+ "/blog/music/2023-03-18/audio/ce-20-dimensional-d-3-4.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/ce-20-dimensional-d-3-4.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>
+ <p>These are always so cool to hear. When you get into the combo modes
+ you start getting more "chorus" and less just
+ "width/movement". But these are interesting to listen to
+ compared to the clean. There is subtle differences - but they're
+ there! It's almost like it is now less stark and smoother. Like the
+ notes are lathered in butter, mmm!</p>
+ <h4>CE -1</h4>
+ <p>Okay, now on to the real show, the CE-1. Not much to say about this
+ one. It's a CE-1, you have an "intensity" knob, and
+ it's so rich. The delay rate is much slower than you would expect,
+ almost logarithmic. But when you get past noon it starts to get quite
+ seasick.<br>
+ <small><em>Editors note: 7 o'clock may be a bit higher than 7. None
+ of these pedals have freaking numbers on their knobs, so it's all a
+ guess. But it's a bit up from off</em></small></p>
+ <figure>
+ <figcaption>
+ CE-20 CE-1 Mode - Intensity 7 o'clock
+ </figcaption><audio controls=""><source src=
+ "/blog/music/2023-03-18/audio/ce-20-ce-1-7oclock.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/ce-20-ce-1-7oclock.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>
+ <figure>
+ <figcaption>
+ CE-20 CE-1 Mode - Intensity 10 o'clock
+ </figcaption><audio controls=""><source src=
+ "/blog/music/2023-03-18/audio/ce-20-ce-1-10oclock.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/ce-20-ce-1-10oclock.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>
+ <h3>Multivox CB-1 Chorus Box</h3>
+ <p>The Multivox CB-1 Chorus Box is a CE-1 clone, according to the gear
+ page, it's literally just the same circuit and components. I got my 5
+ years ago because, well, I love chorus. Currently, a part of my rack unit
+ to be used with my synths, this chorus is just so smooth. But the biggest
+ trouble is dialing in the right level. You'll notice for the CB-1
+ demos it's a different demo recording. I had to move my setup and I
+ accidentally wiped the RC-3. But because the CB-1 can be a bit tricky to
+ dial in, it's a bit quieter than the other demo tracks. But the level
+ control is one of my favorites, as it can add some crunch to the tone on
+ the peaks, adding a lot of flavor. I am running my guitar through the
+ "hi" input, because it gives me a bit more play with the input
+ level.</p>
+ <h4>Chorus</h4>
+ <figure>
+ <figcaption>
+ CB-1 Chorus Mode - Intensity 7 o'clock
+ </figcaption><audio controls=""><source src="/blog/music/2023-03-18/audio/cb-1-7oclock.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/cb-1-7oclock.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>
+ <figure>
+ <figcaption>
+ CB-1 Chorus Mode - Intensity 10 o'clock
+ </figcaption><audio controls=""><source src=
+ "/blog/music/2023-03-18/audio/cb-1-10oclock.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/cb-1-10oclock.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>
+ <figure>
+ <figcaption>
+ CB-1 Chorus Mode - Intensity 2 o'clock
+ </figcaption><audio controls=""><source src="/blog/music/2023-03-18/audio/cb-1-2oclock.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/cb-1-2oclock.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>
+ <h4>Vibrato</h4>
+ <p>While this is mono, so it's acting like a straight vibrato. When
+ playing in stereo this creates it's own chorus, the stereo outs are
+ "dry" and "wet". This differs from the CE-1 chorus
+ too, so it's like 2 chorus pedals in one. These demos are in
+ mono.</p>
+ <figure>
+ <figcaption>
+ CB-1 Vibrato Mode - Rate 10 o'clock, Depth 2 o'clock
+ </figcaption><audio controls=""><source src=
+ "/blog/music/2023-03-18/audio/cb-1-vibrato-d2-r10.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/cb-1-vibrato-d2-r10.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>
+ <figure>
+ <figcaption>
+ CB-1 Vibrato Mode - Rate 2 o'clock, Depth 10 o'clock
+ </figcaption><audio controls=""><source src=
+ "/blog/music/2023-03-18/audio/cb-1-vibrato-d10-r2.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/cb-1-vibrato-d10-r2.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>
+ <h4>CB-1 Off with Level Boost</h4>
+ <p>The CB-1 when over driven (just by the guitar itself) gets really warm
+ crunch to signal, and it's a lot of fun. I usually run my Model D
+ through this and I love it.</p>
+ <figure>
+ <figcaption>
+ CB-1 Off - Level to a point where when I dig in it clips heavily
+ </figcaption><audio controls=""><source src=
+ "/blog/music/2023-03-18/audio/cb-1-off-with-level.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/cb-1-off-with-level.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>
+ <h3>Walrus Audio Julia</h3>
+ <p>I picked up the Julia because it's such a versatile chorus: giving
+ you control over the rate, depth, lag, waveform, and mix. This lets you
+ craft basically ANY chorus sound you want. Exploring sounds, I've
+ noticed the major limiter being the rate. The Julia is just SO fast. Even
+ at min rate, it's still faster than like 1/3 of the Boss rates. But
+ the sounds are still amazing!</p>
+ <figure>
+ <figcaption>
+ Julia - Triangle Wave, Rate 7 o'clock, Depth 2 o'clock, Lag 3
+ o'clock, Mix 12 o'clock (chorus)
+ </figcaption><audio controls=""><source src=
+ "/blog/music/2023-03-18/audio/julia-chorus-1.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/julia-chorus-1.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>
+ <figure>
+ <figcaption>
+ Julia - Sine Wave, Rate 10 o'clock, Depth 2 o'clock, Lag 9
+ o'clock, Mix 12 o'clock (chorus)
+ </figcaption><audio controls=""><source src=
+ "/blog/music/2023-03-18/audio/julia-chorus-2.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/julia-chorus-2.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>
+ <figure>
+ <figcaption>
+ Julia - Sine Wave, Rate 9 o'clock, Depth 3 o'clock, Lag 9
+ o'clock, Mix 12 o'clock (chorus)
+ </figcaption><audio controls=""><source src=
+ "/blog/music/2023-03-18/audio/julia-chorus-3.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/julia-chorus-3.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>
+ <figure>
+ <figcaption>
+ Julia - Triangle Wave, Rate 8 o'clock, Depth 12 o'clock, Lag
+ 12 o'clock, Mix 5 o'clock (vibrato, max)
+ </figcaption><audio controls=""><source src=
+ "/blog/music/2023-03-18/audio/julia-vibrato.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/julia-vibrato.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>
+ <h2>Thoughts</h2>
+ <p>Realistically? I love every single one of these choruses. It's
+ such an amazing effect, and I was messing around with the dirty channel
+ too, which still sounded great! The CB-1 was by no means a steal, but
+ it's my favorite chorus tone. But it comes with some quirks being a
+ late 70, early 80s device. The CE-20 is amazing but very much a "mid
+ 00s digital pedal" giving some of that digital-ness to it,
+ especially when mixing with other digital pedals. I'm sure you heard
+ the high pitched wine in the background. I EQ'd it out, but it's
+ there, and it bothers me. I think getting a CE-2w would give me a lot of
+ the options I want from this, without those digital artifacts. The CE-20
+ would be perfect if it had a vibrato mode, given the CE-1 has one, and
+ really make it the perfect all-in-one. But given I've had this pedal
+ for at least 12 years (probably closer to 13. I can dig out the box and
+ see if I kept the receipt). I got in in college as my first ever chorus.
+ I was enamoured with it. I'd be on my board today if it wasn't so
+ big. The Julia is the perfect multi-tool chorus, and I've been really
+ happy with it. But it lacks that really SLOW rate that the Boss pedals
+ have, making it a BIT harder to really dial in the CE-1 tones.</p>
+ <p>I joked on mastodon that I was did this to convince myself I don't
+ NEED a CE-2w or DC-2w...and now I want them even more!</p>
+ </article>
+ ]]>
+ </description>
+ </item>
+ <item>
+ <title>Music: Reworking my THR100HD</title>
+ <link>https://www.senders.io/blog/music/2023-01-06/</link>
+ <guid isPermaLink="true">https://www.senders.io/blog/music/2023-01-06/index.html</guid>
+ <pubDate>Fri, 06 Jan 2023 00:00:00 -0500</pubDate>
+ <description>
+ <![CDATA[
+ <article>
+ <h1>Music Blog?!</h1>
+ <p>I wanted to make a little blog section to just talk about my music
+ making. Mainly, to save my friends from enduring my thinking out
+ loud.</p>
+ <h2>Reworking my THR100HD</h2>
+ <p>I have a <a href=
+ "https://usa.yamaha.com/products/musical_instruments/guitars_basses/amps_accessories/thr100hd/index.html"
+ rel="external noopener noreferrer"
+ target="_blank">Yamaha THR100H Dual</a> which is a nice modeling amp
+ with two "amps". Typically, I run these in parallel so I am
+ running through BOTH at the same time. As of late I am actually
+ considering moving to dialing in separate tones, and using my <a href=
+ "https://www.joyoaudio.com/product/88.html"
+ rel="external noopener noexternal"
+ target="_blank">Joyo PXL-Live</a> to act as a "channel"
+ switcher.</p>
+ <h3>Dual Amping</h3>
+ <p>Honestly, dual amping is my <em>favorite</em> thing. And I would hate
+ to give it up, as it gives my tones SO much depth. But I find when I try
+ to mix my guitars that extra depth just makes mixing a bit more of a
+ hassle than need be. But Mick of "That Pedal Show" on YouTube I
+ feel feels similarly, considering in <a href=
+ "https://www.youtube.com/watch?v=uMvhraRDvDs"
+ rel="noopener external noreferrer"
+ target="_blank">one of their "use less" challenge videos</a>
+ he used two amps for maximum tone shaping - which I feel adds some
+ justification to my efforts!</p>
+ <h2>Results after one night</h2>
+ <p>I spent an hour or so tonight messing around with my setup and came
+ out with the following high gain tone:</p>
+ <figure>
+ <figcaption>
+ "Rezzed" - Hi-gain dual amped Baritone guitar
+ </figcaption><audio controls=""><source src=
+ "/blog/music/2023-01-06/audio/rezzed-senders-io-audio.mp3">
+ <source src="/blog/music/2023-01-06/audio/rezzed-senders-io-audio.ogg">
+ <p>Download <a href=
+ "/blog/music/2023-01-06/audio/rezzed-senders-io-audio.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a> or <a href=
+ "/blog/music/2023-01-06/audio/rezzed-senders-io-audio.ogg"
+ rel="me noopner"
+ target="_blank">OGG</a></p></audio>
+ <figcaption>
+ <em><small>No copyright</small></em>
+ </figcaption>
+ </figure>
+ <h3>Thoughts</h3>
+ <p>I feel its a bit... boomy still. There is some extra weight coming
+ from the "clean" channel that I think is causing this to lose
+ some clarity. I don't think if I wanted to add a mix around this
+ I'd even end up keeping it. Or I would do some heavy EQing to that
+ channel. Here is what I have dialed in so far:</p>
+ <figure>
+ <img src=
+ "/blog/music/2023-01-06/img/thr100hd-settings-senders-io-img.jpg"
+ alt=
+ "A photo of the front face knobs of my Yamaha THR100HD. The top amp is set to the clean setting, the booster is turned off. The gain is roughly at 3 O'Clock, Master at 9 O'Clock, Bass at 10 O'Clock, Middle at 2 O'Clock, Presense off, Rever off, and Volume at 11 O'Clock. The bottom amp is set to Modern, with the booster turned off. The gain is set to around 2:30, Master at 10 O'Clock, Bass at a bit below 9 O'Clock, Middle at 2 O'Clock, Treble at 1 O'Clock, Presents at 1:30, Rever off, and Volume a little above 9 O'Clock"
+ role="img"
+ width="100%">
+ <figcaption>
+ <em>Current dual amp settings</em>
+ </figcaption>
+ </figure>
+ <h2>Future</h2>
+ <p>In the future I plan to setup different profiles between each the 5
+ channels per amp - so they're all useable and I can just do single
+ amping - as that provides me the FX loop until I setup a proper stereo
+ board. But until then - this is the setup I've been using and I
+ rarely touch the back!</p>
+ </article>
+ ]]>
+ </description>
+ </item>
<item>
<title>How I Generate My RSS Feed</title>
<link>https://www.senders.io/blog/2023-01-06/</link>
diff --git a/www/blog/index.html b/www/blog/index.html
index 4615f50..f5dc542 100644
--- a/www/blog/index.html
+++ b/www/blog/index.html
@@ -32,6 +32,14 @@
<article>
<h1>Blog Index</h1>
<ol>
+ <li>
+ <a href="/blog/music/2023-03-18/">2023-03-18 - Music: A Tour de
+ Chorus</a>
+ </li>
+ <li>
+ <a href="/blog/music/2023-01-06/">2023-01-06 - Music: Reworking my
+ THR100HD</a>
+ </li>
<li>
<a href="/blog/2023-01-06/">2023-01-06 - How I Generate My RSS
Feed</a>
diff --git a/www/blog/music/2023-01-06/index.html b/www/blog/music/2023-01-06/index.html
index c539a73..44dcfb6 100644
--- a/www/blog/music/2023-01-06/index.html
+++ b/www/blog/music/2023-01-06/index.html
@@ -4,7 +4,7 @@
<meta charset="utf-8">
<meta name="generator"
content="HTML Tidy for HTML5 for Linux version 5.6.0">
- <title>senders.io - PAGE_TITLE</title>
+ <title>senders.io - music blog - 2023-01-06</title>
<link rel='stylesheet'
type='text/css'
href='/index.css'>
@@ -63,12 +63,13 @@
<figcaption>
"Rezzed" - Hi-gain dual amped Baritone guitar
</figcaption><audio controls=""><source src=
- "./audio/rezzed-senders-io-audio.mp3"> <source src=
- "./audio/rezzed-senders-io-audio.ogg">
- <p>Download <a href="./audio/rezzed-senders-io-audio.mp3"
+ "/blog/music/2023-01-06/audio/rezzed-senders-io-audio.mp3">
+ <source src="/blog/music/2023-01-06/audio/rezzed-senders-io-audio.ogg">
+ <p>Download <a href=
+ "/blog/music/2023-01-06/audio/rezzed-senders-io-audio.mp3"
rel="me noopner"
target="_blank">MP3</a> or <a href=
- "./audio/rezzed-senders-io-audio.ogg"
+ "/blog/music/2023-01-06/audio/rezzed-senders-io-audio.ogg"
rel="me noopner"
target="_blank">OGG</a></p></audio>
<figcaption>
@@ -82,7 +83,8 @@
I'd even end up keeping it. Or I would do some heavy EQing to that
channel. Here is what I have dialed in so far:</p>
<figure>
- <img src="./img/thr100hd-settings-senders-io-img.jpg"
+ <img src=
+ "/blog/music/2023-01-06/img/thr100hd-settings-senders-io-img.jpg"
alt=
"A photo of the front face knobs of my Yamaha THR100HD. The top amp is set to the clean setting, the booster is turned off. The gain is roughly at 3 O'Clock, Master at 9 O'Clock, Bass at 10 O'Clock, Middle at 2 O'Clock, Presense off, Rever off, and Volume at 11 O'Clock. The bottom amp is set to Modern, with the booster turned off. The gain is set to around 2:30, Master at 10 O'Clock, Bass at a bit below 9 O'Clock, Middle at 2 O'Clock, Treble at 1 O'Clock, Presents at 1:30, Rever off, and Volume a little above 9 O'Clock"
role="img"
diff --git a/www/blog/music/2023-03-18/a-tour-de-chorus.html b/www/blog/music/2023-03-18/a-tour-de-chorus.html
new file mode 100644
index 0000000..54c8c64
--- /dev/null
+++ b/www/blog/music/2023-03-18/a-tour-de-chorus.html
@@ -0,0 +1,340 @@
+<!DOCTYPE html>
+<html lang="en">
+<head>
+ <meta charset="utf-8">
+ <meta name="generator"
+ content="HTML Tidy for HTML5 for Linux version 5.6.0">
+ <title>senders.io - music blog - 2023-03-18</title>
+ <link rel='stylesheet'
+ type='text/css'
+ href='/index.css'>
+ <meta name="viewport"
+ content="width=device-width, initial-scale=1">
+</head>
+<body>
+ <div id='header'>
+ <a class='title'
+ href='/'>senders.io</a>
+ <nav>
+ <a href="/blog">blog</a> <a rel="external noopener noreferrer"
+ target="_blank"
+ href="https://github.com/s3nd3r5">github</a> <a rel=
+ "external noopener noreferrer"
+ target="_blank"
+ href="https://git.senders.io">cgit</a> <a rel=
+ "me external noopener noreferrer"
+ target="_blank"
+ href="https://mastodon.online/@senders">mastodon</a>
+ </nav>
+ </div>
+ <div id="body">
+ <article>
+ <h1>A Tour de Chorus</h1>
+ <p>I've been talking a lot about chorus on my mastodon, like, A LOT.
+ So I thought it would be fun to explore my chorus pedals a bit and
+ present this information in some shareable way, since no one wants to
+ listen to 18 minutes of audio in a row.</p>
+ <h2>What's on display</h2>
+ <p>So I have three chorus pedals to show off today:</p>
+ <ul>
+ <li>Boss CE-20</li>
+ <li>Warlus Audio Julia</li>
+ <li>Multivox CB-1 Chorus Box</li>
+ </ul>
+ <h2>The other gear</h2>
+ <p>I will be playing each of these pedals through my THR-100HD (see
+ <a href="/blog/music/2023-01-06/"
+ rel="me noopener"
+ target="_blank">my previous music blog post</a> in which I deep dive a
+ bit into this amp). It's running on the crunch channel, just at
+ the edge of breakup, with little to no reverb.</p>
+ <p>As for guitar - I am using my Reverend Descent RA Baritone.</p>
+ <h2>The demos</h2>
+ <p>For each of these demos I will be playing the same loop (mostly). I
+ recorded a loop into my Boss RC-3 to remove any playing bias towards the
+ more warbely chorus tones, and to make it easier for me! Each demo is
+ about 48s long (depending on how good my trimming was). I added a bit of
+ EQ in post to cut out some digital hum introduced when pairing my CE-20
+ with my RC-3 so sorry about that...</p>
+ <p>Let's start with the clean tone:</p>
+ <figure>
+ <audio controls=""><source src="/blog/music/2023-03-18/audio/clean.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/clean.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>This loop is something I had been noodling on all week, while on
+ my chorus kick. I feel it's actually a decent demo because it calls
+ on a lot of classic chorus sounds. Individually picked notes, bright open
+ strings, and then at the end some Nirvana-like dark power chord picking.
+ All classic chorus sounds to me.
+ <h3>CE-20</h3>
+ <p>Next we can go through the CE-20. The CE-20 has 4 modes we'll be
+ demoing, but there are a total of 6. We are demoing the "Rich",
+ "Standard", "Dimensional D", and "CE-1"
+ settings. I skipped the "Acoustic" and "Bass"
+ settings as they've always felt like some slight EQ on the
+ "standard" mode.</p>
+ <h4>Standard</h4>
+ <p>We can start with "Standard" as it's the most "boss
+ chorus". Though I personally feel it lacks a bit of the bite the
+ CE-1 and CE-2 offer. But it wouldn't surprise me if
+ "Standard" was just a CE-2.</p>
+ <figure>
+ <figcaption>
+ CE-20 Standard Mode - Rate 10 o'clock, Depth 2 o'clock
+ </figcaption><audio controls=""><source src=
+ "/blog/music/2023-03-18/audio/ce-20-standard-r10-d2.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/ce-20-standard-r10-d2.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>
+ <figure>
+ <figcaption>
+ CE-20 Standard Mode - Rate 2 o'clock, Depth 10 o'clock
+ </figcaption><audio controls=""><source src=
+ "/blog/music/2023-03-18/audio/ce-20-standard-r2-d10.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/ce-20-standard-r2-d10.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>
+ <h4>Rich</h4>
+ <p>Let's compare this with the "Rich" mode. And keep in
+ mind the only settings I will be changing between these CE-20 modes is
+ the rate and depth. There is actually quite a bit of tone controlling you
+ get in the CE-20. But I generally keep those fairly static based on my
+ guitar and amp settings, and for the purposes of these demos are
+ static.</p>
+ <figure>
+ <figcaption>
+ CE-20 Rich Mode - Rate 10 o'clock, Depth 2 o'clock
+ </figcaption><audio controls=""><source src=
+ "/blog/music/2023-03-18/audio/ce-20-rich-r10-d2.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/ce-20-rich-r10-d2.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>
+ <h4>Dimensional D</h4>
+ <p>This mode is a recreation of the SDD-320 Dimension D effects unit,
+ later made into the Boss DC-2. This effect is one of my favorite
+ choruses. It's so unique. On the CE-20 there are 7 modes: 1 - 4, as
+ well as 3 "combo" modes: 1+4, 2+4, and 3+4. These map directly
+ to their SDD-320 counterparts, which also let you stack the modes
+ together. This really shines in stereo, but since the Julia is mono, I
+ felt it's only fair to use these how I use them on my board.</p>
+ <figure>
+ <figcaption>
+ CE-20 Dimensional D Mode - Mode 3
+ </figcaption><audio controls=""><source src=
+ "/blog/music/2023-03-18/audio/ce-20-dimensional-d-3.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/ce-20-dimensional-d-3.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>
+ <figure>
+ <figcaption>
+ CE-20 Dimensional D Mode - Mode 4
+ </figcaption><audio controls=""><source src=
+ "/blog/music/2023-03-18/audio/ce-20-dimensional-d-4.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/ce-20-dimensional-d-4.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>
+ <figure>
+ <figcaption>
+ CE-20 Dimensional D Mode - Mode 3+4
+ </figcaption><audio controls=""><source src=
+ "/blog/music/2023-03-18/audio/ce-20-dimensional-d-3-4.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/ce-20-dimensional-d-3-4.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>
+ <p>These are always so cool to hear. When you get into the combo modes
+ you start getting more "chorus" and less just
+ "width/movement". But these are interesting to listen to
+ compared to the clean. There is subtle differences - but they're
+ there! It's almost like it is now less stark and smoother. Like the
+ notes are lathered in butter, mmm!</p>
+ <h4>CE -1</h4>
+ <p>Okay, now on to the real show, the CE-1. Not much to say about this
+ one. It's a CE-1, you have an "intensity" knob, and
+ it's so rich. The delay rate is much slower than you would expect,
+ almost logarithmic. But when you get past noon it starts to get quite
+ seasick.<br>
+ <small><em>Editors note: 7 o'clock may be a bit higher than 7. None
+ of these pedals have freaking numbers on their knobs, so it's all a
+ guess. But it's a bit up from off</em></small></p>
+ <figure>
+ <figcaption>
+ CE-20 CE-1 Mode - Intensity 7 o'clock
+ </figcaption><audio controls=""><source src=
+ "/blog/music/2023-03-18/audio/ce-20-ce-1-7oclock.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/ce-20-ce-1-7oclock.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>
+ <figure>
+ <figcaption>
+ CE-20 CE-1 Mode - Intensity 10 o'clock
+ </figcaption><audio controls=""><source src=
+ "/blog/music/2023-03-18/audio/ce-20-ce-1-10oclock.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/ce-20-ce-1-10oclock.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>
+ <h3>Multivox CB-1 Chorus Box</h3>
+ <p>The Multivox CB-1 Chorus Box is a CE-1 clone, according to the gear
+ page, it's literally just the same circuit and components. I got my 5
+ years ago because, well, I love chorus. Currently, a part of my rack unit
+ to be used with my synths, this chorus is just so smooth. But the biggest
+ trouble is dialing in the right level. You'll notice for the CB-1
+ demos it's a different demo recording. I had to move my setup and I
+ accidentally wiped the RC-3. But because the CB-1 can be a bit tricky to
+ dial in, it's a bit quieter than the other demo tracks. But the level
+ control is one of my favorites, as it can add some crunch to the tone on
+ the peaks, adding a lot of flavor. I am running my guitar through the
+ "hi" input, because it gives me a bit more play with the input
+ level.</p>
+ <h4>Chorus</h4>
+ <figure>
+ <figcaption>
+ CB-1 Chorus Mode - Intensity 7 o'clock
+ </figcaption><audio controls=""><source src="/blog/music/2023-03-18/audio/cb-1-7oclock.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/cb-1-7oclock.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>
+ <figure>
+ <figcaption>
+ CB-1 Chorus Mode - Intensity 10 o'clock
+ </figcaption><audio controls=""><source src=
+ "/blog/music/2023-03-18/audio/cb-1-10oclock.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/cb-1-10oclock.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>
+ <figure>
+ <figcaption>
+ CB-1 Chorus Mode - Intensity 2 o'clock
+ </figcaption><audio controls=""><source src="/blog/music/2023-03-18/audio/cb-1-2oclock.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/cb-1-2oclock.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>
+ <h4>Vibrato</h4>
+ <p>While this is mono, so it's acting like a straight vibrato. When
+ playing in stereo this creates it's own chorus, the stereo outs are
+ "dry" and "wet". This differs from the CE-1 chorus
+ too, so it's like 2 chorus pedals in one. These demos are in
+ mono.</p>
+ <figure>
+ <figcaption>
+ CB-1 Vibrato Mode - Rate 10 o'clock, Depth 2 o'clock
+ </figcaption><audio controls=""><source src=
+ "/blog/music/2023-03-18/audio/cb-1-vibrato-d2-r10.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/cb-1-vibrato-d2-r10.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>
+ <figure>
+ <figcaption>
+ CB-1 Vibrato Mode - Rate 2 o'clock, Depth 10 o'clock
+ </figcaption><audio controls=""><source src=
+ "/blog/music/2023-03-18/audio/cb-1-vibrato-d10-r2.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/cb-1-vibrato-d10-r2.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>
+ <h4>CB-1 Off with Level Boost</h4>
+ <p>The CB-1 when over driven (just by the guitar itself) gets really warm
+ crunch to signal, and it's a lot of fun. I usually run my Model D
+ through this and I love it.</p>
+ <figure>
+ <figcaption>
+ CB-1 Off - Level to a point where when I dig in it clips heavily
+ </figcaption><audio controls=""><source src=
+ "/blog/music/2023-03-18/audio/cb-1-off-with-level.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/cb-1-off-with-level.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>
+ <h3>Walrus Audio Julia</h3>
+ <p>I picked up the Julia because it's such a versatile chorus: giving
+ you control over the rate, depth, lag, waveform, and mix. This lets you
+ craft basically ANY chorus sound you want. Exploring sounds, I've
+ noticed the major limiter being the rate. The Julia is just SO fast. Even
+ at min rate, it's still faster than like 1/3 of the Boss rates. But
+ the sounds are still amazing!</p>
+ <figure>
+ <figcaption>
+ Julia - Triangle Wave, Rate 7 o'clock, Depth 2 o'clock, Lag 3
+ o'clock, Mix 12 o'clock (chorus)
+ </figcaption><audio controls=""><source src=
+ "/blog/music/2023-03-18/audio/julia-chorus-1.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/julia-chorus-1.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>
+ <figure>
+ <figcaption>
+ Julia - Sine Wave, Rate 10 o'clock, Depth 2 o'clock, Lag 9
+ o'clock, Mix 12 o'clock (chorus)
+ </figcaption><audio controls=""><source src=
+ "/blog/music/2023-03-18/audio/julia-chorus-2.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/julia-chorus-2.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>
+ <figure>
+ <figcaption>
+ Julia - Sine Wave, Rate 9 o'clock, Depth 3 o'clock, Lag 9
+ o'clock, Mix 12 o'clock (chorus)
+ </figcaption><audio controls=""><source src=
+ "/blog/music/2023-03-18/audio/julia-chorus-3.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/julia-chorus-3.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>
+ <figure>
+ <figcaption>
+ Julia - Triangle Wave, Rate 8 o'clock, Depth 12 o'clock, Lag
+ 12 o'clock, Mix 5 o'clock (vibrato, max)
+ </figcaption><audio controls=""><source src=
+ "/blog/music/2023-03-18/audio/julia-vibrato.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/julia-vibrato.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>
+ <h2>Thoughts</h2>
+ <p>Realistically? I love every single one of these choruses. It's
+ such an amazing effect, and I was messing around with the dirty channel
+ too, which still sounded great! The CB-1 was by no means a steal, but
+ it's my favorite chorus tone. But it comes with some quirks being a
+ late 70, early 80s device. The CE-20 is amazing but very much a "mid
+ 00s digital pedal" giving some of that digital-ness to it,
+ especially when mixing with other digital pedals. I'm sure you heard
+ the high pitched wine in the background. I EQ'd it out, but it's
+ there, and it bothers me. I think getting a CE-2w would give me a lot of
+ the options I want from this, without those digital artifacts. The CE-20
+ would be perfect if it had a vibrato mode, given the CE-1 has one, and
+ really make it the perfect all-in-one. But given I've had this pedal
+ for at least 12 years (probably closer to 13. I can dig out the box and
+ see if I kept the receipt). I got in in college as my first ever chorus.
+ I was enamoured with it. I'd be on my board today if it wasn't so
+ big. The Julia is the perfect multi-tool chorus, and I've been really
+ happy with it. But it lacks that really SLOW rate that the Boss pedals
+ have, making it a BIT harder to really dial in the CE-1 tones.</p>
+ <p>I joked on mastodon that I was did this to convince myself I don't
+ NEED a CE-2w or DC-2w...and now I want them even more!</p>
+ </article>
+ <div id="footer">
+ <i>March 18, 2023</i>
+ </div>
+ <div id='copyright'>
+ © 2023 senders dot io - <a rel="license external noopener noreferrer"
+ target="_blank"
+ href="https://creativecommons.org/licenses/by/4.0/">CC BY-SA 4.0</a>
+ unless otherwise noted.
+ </div>
+ </div>
+</body>
+</html>
diff --git a/www/blog/music/2023-03-18/audio/cb-1-10oclock.mp3 b/www/blog/music/2023-03-18/audio/cb-1-10oclock.mp3
new file mode 100644
index 0000000..5e0fb60
Binary files /dev/null and b/www/blog/music/2023-03-18/audio/cb-1-10oclock.mp3 differ
diff --git a/www/blog/music/2023-03-18/audio/cb-1-2oclock.mp3 b/www/blog/music/2023-03-18/audio/cb-1-2oclock.mp3
new file mode 100644
index 0000000..0613fee
Binary files /dev/null and b/www/blog/music/2023-03-18/audio/cb-1-2oclock.mp3 differ
diff --git a/www/blog/music/2023-03-18/audio/cb-1-7oclock.mp3 b/www/blog/music/2023-03-18/audio/cb-1-7oclock.mp3
new file mode 100644
index 0000000..06e7432
Binary files /dev/null and b/www/blog/music/2023-03-18/audio/cb-1-7oclock.mp3 differ
diff --git a/www/blog/music/2023-03-18/audio/cb-1-off-with-level.mp3 b/www/blog/music/2023-03-18/audio/cb-1-off-with-level.mp3
new file mode 100644
index 0000000..e693acb
Binary files /dev/null and b/www/blog/music/2023-03-18/audio/cb-1-off-with-level.mp3 differ
diff --git a/www/blog/music/2023-03-18/audio/cb-1-vibrato-d10-r2.mp3 b/www/blog/music/2023-03-18/audio/cb-1-vibrato-d10-r2.mp3
new file mode 100644
index 0000000..76bbf2d
Binary files /dev/null and b/www/blog/music/2023-03-18/audio/cb-1-vibrato-d10-r2.mp3 differ
diff --git a/www/blog/music/2023-03-18/audio/cb-1-vibrato-d2-r10.mp3 b/www/blog/music/2023-03-18/audio/cb-1-vibrato-d2-r10.mp3
new file mode 100644
index 0000000..b9454ce
Binary files /dev/null and b/www/blog/music/2023-03-18/audio/cb-1-vibrato-d2-r10.mp3 differ
diff --git a/www/blog/music/2023-03-18/audio/ce-20-ce-1-10oclock.mp3 b/www/blog/music/2023-03-18/audio/ce-20-ce-1-10oclock.mp3
new file mode 100644
index 0000000..63a241e
Binary files /dev/null and b/www/blog/music/2023-03-18/audio/ce-20-ce-1-10oclock.mp3 differ
diff --git a/www/blog/music/2023-03-18/audio/ce-20-ce-1-7oclock.mp3 b/www/blog/music/2023-03-18/audio/ce-20-ce-1-7oclock.mp3
new file mode 100644
index 0000000..8dd46c8
Binary files /dev/null and b/www/blog/music/2023-03-18/audio/ce-20-ce-1-7oclock.mp3 differ
diff --git a/www/blog/music/2023-03-18/audio/ce-20-dimensional-d-3-4.mp3 b/www/blog/music/2023-03-18/audio/ce-20-dimensional-d-3-4.mp3
new file mode 100644
index 0000000..753ca1c
Binary files /dev/null and b/www/blog/music/2023-03-18/audio/ce-20-dimensional-d-3-4.mp3 differ
diff --git a/www/blog/music/2023-03-18/audio/ce-20-dimensional-d-3.mp3 b/www/blog/music/2023-03-18/audio/ce-20-dimensional-d-3.mp3
new file mode 100644
index 0000000..71d814c
Binary files /dev/null and b/www/blog/music/2023-03-18/audio/ce-20-dimensional-d-3.mp3 differ
diff --git a/www/blog/music/2023-03-18/audio/ce-20-dimensional-d-4.mp3 b/www/blog/music/2023-03-18/audio/ce-20-dimensional-d-4.mp3
new file mode 100644
index 0000000..bf76aa7
Binary files /dev/null and b/www/blog/music/2023-03-18/audio/ce-20-dimensional-d-4.mp3 differ
diff --git a/www/blog/music/2023-03-18/audio/ce-20-rich-r10-d2.mp3 b/www/blog/music/2023-03-18/audio/ce-20-rich-r10-d2.mp3
new file mode 100644
index 0000000..ada00e1
Binary files /dev/null and b/www/blog/music/2023-03-18/audio/ce-20-rich-r10-d2.mp3 differ
diff --git a/www/blog/music/2023-03-18/audio/ce-20-standard-r10-d2.mp3 b/www/blog/music/2023-03-18/audio/ce-20-standard-r10-d2.mp3
new file mode 100644
index 0000000..74bd7bf
Binary files /dev/null and b/www/blog/music/2023-03-18/audio/ce-20-standard-r10-d2.mp3 differ
diff --git a/www/blog/music/2023-03-18/audio/ce-20-standard-r2-d10.mp3 b/www/blog/music/2023-03-18/audio/ce-20-standard-r2-d10.mp3
new file mode 100644
index 0000000..d6ea877
Binary files /dev/null and b/www/blog/music/2023-03-18/audio/ce-20-standard-r2-d10.mp3 differ
diff --git a/www/blog/music/2023-03-18/audio/clean.mp3 b/www/blog/music/2023-03-18/audio/clean.mp3
new file mode 100644
index 0000000..0943c6f
Binary files /dev/null and b/www/blog/music/2023-03-18/audio/clean.mp3 differ
diff --git a/www/blog/music/2023-03-18/audio/julia-chorus-1.mp3 b/www/blog/music/2023-03-18/audio/julia-chorus-1.mp3
new file mode 100644
index 0000000..d9a6900
Binary files /dev/null and b/www/blog/music/2023-03-18/audio/julia-chorus-1.mp3 differ
diff --git a/www/blog/music/2023-03-18/audio/julia-chorus-2.mp3 b/www/blog/music/2023-03-18/audio/julia-chorus-2.mp3
new file mode 100644
index 0000000..cadbf0f
Binary files /dev/null and b/www/blog/music/2023-03-18/audio/julia-chorus-2.mp3 differ
diff --git a/www/blog/music/2023-03-18/audio/julia-chorus-3.mp3 b/www/blog/music/2023-03-18/audio/julia-chorus-3.mp3
new file mode 100644
index 0000000..6425861
Binary files /dev/null and b/www/blog/music/2023-03-18/audio/julia-chorus-3.mp3 differ
diff --git a/www/blog/music/2023-03-18/audio/julia-vibrato.mp3 b/www/blog/music/2023-03-18/audio/julia-vibrato.mp3
new file mode 100644
index 0000000..dbfa588
Binary files /dev/null and b/www/blog/music/2023-03-18/audio/julia-vibrato.mp3 differ
diff --git a/www/blog/music/2023-03-18/index.html b/www/blog/music/2023-03-18/index.html
new file mode 100644
index 0000000..54c8c64
--- /dev/null
+++ b/www/blog/music/2023-03-18/index.html
@@ -0,0 +1,340 @@
+<!DOCTYPE html>
+<html lang="en">
+<head>
+ <meta charset="utf-8">
+ <meta name="generator"
+ content="HTML Tidy for HTML5 for Linux version 5.6.0">
+ <title>senders.io - music blog - 2023-03-18</title>
+ <link rel='stylesheet'
+ type='text/css'
+ href='/index.css'>
+ <meta name="viewport"
+ content="width=device-width, initial-scale=1">
+</head>
+<body>
+ <div id='header'>
+ <a class='title'
+ href='/'>senders.io</a>
+ <nav>
+ <a href="/blog">blog</a> <a rel="external noopener noreferrer"
+ target="_blank"
+ href="https://github.com/s3nd3r5">github</a> <a rel=
+ "external noopener noreferrer"
+ target="_blank"
+ href="https://git.senders.io">cgit</a> <a rel=
+ "me external noopener noreferrer"
+ target="_blank"
+ href="https://mastodon.online/@senders">mastodon</a>
+ </nav>
+ </div>
+ <div id="body">
+ <article>
+ <h1>A Tour de Chorus</h1>
+ <p>I've been talking a lot about chorus on my mastodon, like, A LOT.
+ So I thought it would be fun to explore my chorus pedals a bit and
+ present this information in some shareable way, since no one wants to
+ listen to 18 minutes of audio in a row.</p>
+ <h2>What's on display</h2>
+ <p>So I have three chorus pedals to show off today:</p>
+ <ul>
+ <li>Boss CE-20</li>
+ <li>Warlus Audio Julia</li>
+ <li>Multivox CB-1 Chorus Box</li>
+ </ul>
+ <h2>The other gear</h2>
+ <p>I will be playing each of these pedals through my THR-100HD (see
+ <a href="/blog/music/2023-01-06/"
+ rel="me noopener"
+ target="_blank">my previous music blog post</a> in which I deep dive a
+ bit into this amp). It's running on the crunch channel, just at
+ the edge of breakup, with little to no reverb.</p>
+ <p>As for guitar - I am using my Reverend Descent RA Baritone.</p>
+ <h2>The demos</h2>
+ <p>For each of these demos I will be playing the same loop (mostly). I
+ recorded a loop into my Boss RC-3 to remove any playing bias towards the
+ more warbely chorus tones, and to make it easier for me! Each demo is
+ about 48s long (depending on how good my trimming was). I added a bit of
+ EQ in post to cut out some digital hum introduced when pairing my CE-20
+ with my RC-3 so sorry about that...</p>
+ <p>Let's start with the clean tone:</p>
+ <figure>
+ <audio controls=""><source src="/blog/music/2023-03-18/audio/clean.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/clean.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>This loop is something I had been noodling on all week, while on
+ my chorus kick. I feel it's actually a decent demo because it calls
+ on a lot of classic chorus sounds. Individually picked notes, bright open
+ strings, and then at the end some Nirvana-like dark power chord picking.
+ All classic chorus sounds to me.
+ <h3>CE-20</h3>
+ <p>Next we can go through the CE-20. The CE-20 has 4 modes we'll be
+ demoing, but there are a total of 6. We are demoing the "Rich",
+ "Standard", "Dimensional D", and "CE-1"
+ settings. I skipped the "Acoustic" and "Bass"
+ settings as they've always felt like some slight EQ on the
+ "standard" mode.</p>
+ <h4>Standard</h4>
+ <p>We can start with "Standard" as it's the most "boss
+ chorus". Though I personally feel it lacks a bit of the bite the
+ CE-1 and CE-2 offer. But it wouldn't surprise me if
+ "Standard" was just a CE-2.</p>
+ <figure>
+ <figcaption>
+ CE-20 Standard Mode - Rate 10 o'clock, Depth 2 o'clock
+ </figcaption><audio controls=""><source src=
+ "/blog/music/2023-03-18/audio/ce-20-standard-r10-d2.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/ce-20-standard-r10-d2.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>
+ <figure>
+ <figcaption>
+ CE-20 Standard Mode - Rate 2 o'clock, Depth 10 o'clock
+ </figcaption><audio controls=""><source src=
+ "/blog/music/2023-03-18/audio/ce-20-standard-r2-d10.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/ce-20-standard-r2-d10.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>
+ <h4>Rich</h4>
+ <p>Let's compare this with the "Rich" mode. And keep in
+ mind the only settings I will be changing between these CE-20 modes is
+ the rate and depth. There is actually quite a bit of tone controlling you
+ get in the CE-20. But I generally keep those fairly static based on my
+ guitar and amp settings, and for the purposes of these demos are
+ static.</p>
+ <figure>
+ <figcaption>
+ CE-20 Rich Mode - Rate 10 o'clock, Depth 2 o'clock
+ </figcaption><audio controls=""><source src=
+ "/blog/music/2023-03-18/audio/ce-20-rich-r10-d2.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/ce-20-rich-r10-d2.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>
+ <h4>Dimensional D</h4>
+ <p>This mode is a recreation of the SDD-320 Dimension D effects unit,
+ later made into the Boss DC-2. This effect is one of my favorite
+ choruses. It's so unique. On the CE-20 there are 7 modes: 1 - 4, as
+ well as 3 "combo" modes: 1+4, 2+4, and 3+4. These map directly
+ to their SDD-320 counterparts, which also let you stack the modes
+ together. This really shines in stereo, but since the Julia is mono, I
+ felt it's only fair to use these how I use them on my board.</p>
+ <figure>
+ <figcaption>
+ CE-20 Dimensional D Mode - Mode 3
+ </figcaption><audio controls=""><source src=
+ "/blog/music/2023-03-18/audio/ce-20-dimensional-d-3.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/ce-20-dimensional-d-3.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>
+ <figure>
+ <figcaption>
+ CE-20 Dimensional D Mode - Mode 4
+ </figcaption><audio controls=""><source src=
+ "/blog/music/2023-03-18/audio/ce-20-dimensional-d-4.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/ce-20-dimensional-d-4.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>
+ <figure>
+ <figcaption>
+ CE-20 Dimensional D Mode - Mode 3+4
+ </figcaption><audio controls=""><source src=
+ "/blog/music/2023-03-18/audio/ce-20-dimensional-d-3-4.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/ce-20-dimensional-d-3-4.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>
+ <p>These are always so cool to hear. When you get into the combo modes
+ you start getting more "chorus" and less just
+ "width/movement". But these are interesting to listen to
+ compared to the clean. There is subtle differences - but they're
+ there! It's almost like it is now less stark and smoother. Like the
+ notes are lathered in butter, mmm!</p>
+ <h4>CE -1</h4>
+ <p>Okay, now on to the real show, the CE-1. Not much to say about this
+ one. It's a CE-1, you have an "intensity" knob, and
+ it's so rich. The delay rate is much slower than you would expect,
+ almost logarithmic. But when you get past noon it starts to get quite
+ seasick.<br>
+ <small><em>Editors note: 7 o'clock may be a bit higher than 7. None
+ of these pedals have freaking numbers on their knobs, so it's all a
+ guess. But it's a bit up from off</em></small></p>
+ <figure>
+ <figcaption>
+ CE-20 CE-1 Mode - Intensity 7 o'clock
+ </figcaption><audio controls=""><source src=
+ "/blog/music/2023-03-18/audio/ce-20-ce-1-7oclock.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/ce-20-ce-1-7oclock.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>
+ <figure>
+ <figcaption>
+ CE-20 CE-1 Mode - Intensity 10 o'clock
+ </figcaption><audio controls=""><source src=
+ "/blog/music/2023-03-18/audio/ce-20-ce-1-10oclock.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/ce-20-ce-1-10oclock.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>
+ <h3>Multivox CB-1 Chorus Box</h3>
+ <p>The Multivox CB-1 Chorus Box is a CE-1 clone, according to the gear
+ page, it's literally just the same circuit and components. I got my 5
+ years ago because, well, I love chorus. Currently, a part of my rack unit
+ to be used with my synths, this chorus is just so smooth. But the biggest
+ trouble is dialing in the right level. You'll notice for the CB-1
+ demos it's a different demo recording. I had to move my setup and I
+ accidentally wiped the RC-3. But because the CB-1 can be a bit tricky to
+ dial in, it's a bit quieter than the other demo tracks. But the level
+ control is one of my favorites, as it can add some crunch to the tone on
+ the peaks, adding a lot of flavor. I am running my guitar through the
+ "hi" input, because it gives me a bit more play with the input
+ level.</p>
+ <h4>Chorus</h4>
+ <figure>
+ <figcaption>
+ CB-1 Chorus Mode - Intensity 7 o'clock
+ </figcaption><audio controls=""><source src="/blog/music/2023-03-18/audio/cb-1-7oclock.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/cb-1-7oclock.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>
+ <figure>
+ <figcaption>
+ CB-1 Chorus Mode - Intensity 10 o'clock
+ </figcaption><audio controls=""><source src=
+ "/blog/music/2023-03-18/audio/cb-1-10oclock.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/cb-1-10oclock.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>
+ <figure>
+ <figcaption>
+ CB-1 Chorus Mode - Intensity 2 o'clock
+ </figcaption><audio controls=""><source src="/blog/music/2023-03-18/audio/cb-1-2oclock.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/cb-1-2oclock.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>
+ <h4>Vibrato</h4>
+ <p>While this is mono, so it's acting like a straight vibrato. When
+ playing in stereo this creates it's own chorus, the stereo outs are
+ "dry" and "wet". This differs from the CE-1 chorus
+ too, so it's like 2 chorus pedals in one. These demos are in
+ mono.</p>
+ <figure>
+ <figcaption>
+ CB-1 Vibrato Mode - Rate 10 o'clock, Depth 2 o'clock
+ </figcaption><audio controls=""><source src=
+ "/blog/music/2023-03-18/audio/cb-1-vibrato-d2-r10.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/cb-1-vibrato-d2-r10.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>
+ <figure>
+ <figcaption>
+ CB-1 Vibrato Mode - Rate 2 o'clock, Depth 10 o'clock
+ </figcaption><audio controls=""><source src=
+ "/blog/music/2023-03-18/audio/cb-1-vibrato-d10-r2.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/cb-1-vibrato-d10-r2.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>
+ <h4>CB-1 Off with Level Boost</h4>
+ <p>The CB-1 when over driven (just by the guitar itself) gets really warm
+ crunch to signal, and it's a lot of fun. I usually run my Model D
+ through this and I love it.</p>
+ <figure>
+ <figcaption>
+ CB-1 Off - Level to a point where when I dig in it clips heavily
+ </figcaption><audio controls=""><source src=
+ "/blog/music/2023-03-18/audio/cb-1-off-with-level.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/cb-1-off-with-level.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>
+ <h3>Walrus Audio Julia</h3>
+ <p>I picked up the Julia because it's such a versatile chorus: giving
+ you control over the rate, depth, lag, waveform, and mix. This lets you
+ craft basically ANY chorus sound you want. Exploring sounds, I've
+ noticed the major limiter being the rate. The Julia is just SO fast. Even
+ at min rate, it's still faster than like 1/3 of the Boss rates. But
+ the sounds are still amazing!</p>
+ <figure>
+ <figcaption>
+ Julia - Triangle Wave, Rate 7 o'clock, Depth 2 o'clock, Lag 3
+ o'clock, Mix 12 o'clock (chorus)
+ </figcaption><audio controls=""><source src=
+ "/blog/music/2023-03-18/audio/julia-chorus-1.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/julia-chorus-1.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>
+ <figure>
+ <figcaption>
+ Julia - Sine Wave, Rate 10 o'clock, Depth 2 o'clock, Lag 9
+ o'clock, Mix 12 o'clock (chorus)
+ </figcaption><audio controls=""><source src=
+ "/blog/music/2023-03-18/audio/julia-chorus-2.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/julia-chorus-2.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>
+ <figure>
+ <figcaption>
+ Julia - Sine Wave, Rate 9 o'clock, Depth 3 o'clock, Lag 9
+ o'clock, Mix 12 o'clock (chorus)
+ </figcaption><audio controls=""><source src=
+ "/blog/music/2023-03-18/audio/julia-chorus-3.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/julia-chorus-3.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>
+ <figure>
+ <figcaption>
+ Julia - Triangle Wave, Rate 8 o'clock, Depth 12 o'clock, Lag
+ 12 o'clock, Mix 5 o'clock (vibrato, max)
+ </figcaption><audio controls=""><source src=
+ "/blog/music/2023-03-18/audio/julia-vibrato.mp3">
+ <p>Download <a href="/blog/music/2023-03-18/audio/julia-vibrato.mp3"
+ rel="me noopner"
+ target="_blank">MP3</a></p></audio>
+ </figure>
+ <h2>Thoughts</h2>
+ <p>Realistically? I love every single one of these choruses. It's
+ such an amazing effect, and I was messing around with the dirty channel
+ too, which still sounded great! The CB-1 was by no means a steal, but
+ it's my favorite chorus tone. But it comes with some quirks being a
+ late 70, early 80s device. The CE-20 is amazing but very much a "mid
+ 00s digital pedal" giving some of that digital-ness to it,
+ especially when mixing with other digital pedals. I'm sure you heard
+ the high pitched wine in the background. I EQ'd it out, but it's
+ there, and it bothers me. I think getting a CE-2w would give me a lot of
+ the options I want from this, without those digital artifacts. The CE-20
+ would be perfect if it had a vibrato mode, given the CE-1 has one, and
+ really make it the perfect all-in-one. But given I've had this pedal
+ for at least 12 years (probably closer to 13. I can dig out the box and
+ see if I kept the receipt). I got in in college as my first ever chorus.
+ I was enamoured with it. I'd be on my board today if it wasn't so
+ big. The Julia is the perfect multi-tool chorus, and I've been really
+ happy with it. But it lacks that really SLOW rate that the Boss pedals
+ have, making it a BIT harder to really dial in the CE-1 tones.</p>
+ <p>I joked on mastodon that I was did this to convince myself I don't
+ NEED a CE-2w or DC-2w...and now I want them even more!</p>
+ </article>
+ <div id="footer">
+ <i>March 18, 2023</i>
+ </div>
+ <div id='copyright'>
+ © 2023 senders dot io - <a rel="license external noopener noreferrer"
+ target="_blank"
+ href="https://creativecommons.org/licenses/by/4.0/">CC BY-SA 4.0</a>
+ unless otherwise noted.
+ </div>
+ </div>
+</body>
+</html>
diff --git a/www/diffs/sh-vim.diff b/www/diffs/sh-vim.diff
new file mode 100644
index 0000000..9a53127
--- /dev/null
+++ b/www/diffs/sh-vim.diff
@@ -0,0 +1,13 @@
+diff --git a/runtime/syntax/sh.vim b/runtime/syntax/sh.vim
+index 13d74dbc1..42151f41b 100644
+--- a/runtime/syntax/sh.vim
++++ b/runtime/syntax/sh.vim
+@@ -335,7 +335,7 @@ syn match shEscape contained '\%(^\)\@!\%(\\\\\)*\\.' nextgroup=shComment
+ " systems too, however, so the following syntax will flag $(..) as
+ " an Error under /bin/sh. By consensus of vimdev'ers!
+ if exists("b:is_kornshell") || exists("b:is_bash") || exists("b:is_posix")
+- syn region shCommandSub matchgroup=shCmdSubRegion start="\$(\ze[^(]\|$" skip='\\\\\|\\.' end=")" contains=@shCommandSubList
++ syn region shCommandSub matchgroup=shCmdSubRegion start="\$(\ze[^(]\?" skip='\\\\\|\\.' end=")" contains=@shCommandSubList
+ syn region shArithmetic matchgroup=shArithRegion start="\$((" skip='\\\\\|\\.' end="))" contains=@shArithList
+ syn region shArithmetic matchgroup=shArithRegion start="\$\[" skip='\\\\\|\\.' end="\]" contains=@shArithList
+ syn match shSkipInitWS contained "^\s\+"
diff --git a/www/diffs/sh-vim.html b/www/diffs/sh-vim.html
new file mode 100644
index 0000000..d41adf3
--- /dev/null
+++ b/www/diffs/sh-vim.html
@@ -0,0 +1,44 @@
+<!DOCTYPE html>
+<html>
+<head>
+ <meta name="generator"
+ content="HTML Tidy for HTML5 for Linux version 5.6.0">
+ <title>senders - diffs</title>
+</head>
+<body>
+ <div>
+ <p>There is an outstanding issue in Vim's shell syntax file. A patch
+ was made that broke syntax that used almost any changes. I originally made
+ my own patch that worked for the most part, but in heavily neasted commands
+ it broke down. In the mailing list the following change was proposed. I am
+ supplying this diff for my own sanity so when my syntax file gets reset and
+ is still broken I can apply the diff :)</p>
+ </div>
+ <div>
+ Download: <a href="/diffs/sh-vim.diff"
+ target="_blank"
+ rel="noopener">sh-vim.diff</a>
+ </div>
+ <pre>
+diff --git a/runtime/syntax/sh.vim b/runtime/syntax/sh.vim
+index 13d74dbc1..42151f41b 100644
+--- a/runtime/syntax/sh.vim
++++ b/runtime/syntax/sh.vim
+@@ -335,7 +335,7 @@ syn match shEscape contained '\%(^\)\@!\%(\\\\\)*\\.' nextgroup=shComment
+ " systems too, however, so the following syntax will flag $(..) as
+ " an Error under /bin/sh. By consensus of vimdev'ers!
+ if exists("b:is_kornshell") || exists("b:is_bash") || exists("b:is_posix")
+- syn region shCommandSub matchgroup=shCmdSubRegion start="\$(\ze[^(]\|$" skip='\\\\\|\\.' end=")" contains=@shCommandSubList
++ syn region shCommandSub matchgroup=shCmdSubRegion start="\$(\ze[^(]\?" skip='\\\\\|\\.' end=")" contains=@shCommandSubList
+ syn region shArithmetic matchgroup=shArithRegion start="\$((" skip='\\\\\|\\.' end="))" contains=@shArithList
+ syn region shArithmetic matchgroup=shArithRegion start="\$\[" skip='\\\\\|\\.' end="\]" contains=@shArithList
+ syn match shSkipInitWS contained "^\s\+"
+ </pre>
+ <div>
+ <a href="https://groups.google.com/g/vim_dev/c/lOwoC5cHKDM"
+ target="_blank"
+ rel="noopener noreferrer external">Vim Dev Mailing List Thread -
+ Archive (Google Groups)</a>
+ </div>
+</body>
+</html>
diff --git a/www/wishlist.html b/www/wishlist.html
index 6c80cb1..c589b6a 100644
--- a/www/wishlist.html
+++ b/www/wishlist.html
@@ -111,50 +111,6 @@
<td style="text-align:center;">^</td>
<td></td>
</tr>
- <tr>
- <td>Jimi Hendrix</td>
- <td>Are You Experinced</td>
- <td style="text-align:center;">
- <a rel="external noopener noreferrer"
- target="_blank"
- href=
- "https://www.discogs.com/artist/110593-Jimi-Hendrix">Discogs</a>
- </td>
- <td></td>
- </tr>
- <tr>
- <td>KANGA</td>
- <td>KANGA (CD)</td>
- <td style="text-align:center;">
- <a rel="external noopener noreferrer"
- target="_blank"
- href=
- "https://www.discogs.com/release/9368901-Kanga-Kanga">Discogs</a>
- </td>
- <td style="text-align:center;"></td>
- </tr>
- <tr>
- <td>KANGA</td>
- <td>Eternal Daughter (CD)</td>
- <td style="text-align:center;">
- <a rel="external noopener noreferrer"
- target="_blank"
- href=
- "https://kanga.bandcamp.com/album/eternal-daughter">Bandcamp</a>
- </td>
- <td style="text-align:center;">💖</td>
- </tr>
- <tr>
- <td>KANGA</td>
- <td>You and I Will Never Die (CD)</td>
- <td style="text-align:center;">
- <a rel="external noopener noreferrer"
- target="_blank"
- href=
- "https://kanga.bandcamp.com/album/you-and-i-will-never-die">Bandcamp</a>
- </td>
- <td style="text-align:center;">💖</td>
- </tr>
<tr>
<td>Khemmis</td>
<td>Absolution</td>
@@ -239,12 +195,12 @@
target="_blank"
href="https://www.jetpens.com/Fountain-Pen-Inks/ct/3250">Jetpens
Store</a></p>
- </div>
- <div id='copyright'>
- © 2023 senders dot io - <a rel="license external noopener noreferrer"
- target="_blank"
- href="https://creativecommons.org/licenses/by/4.0/">CC BY-SA 4.0</a>
- unless otherwise noted.
+ <div id='copyright'>
+ © 2023 senders dot io - <a rel="license external noopener noreferrer"
+ target="_blank"
+ href="https://creativecommons.org/licenses/by/4.0/">CC BY-SA 4.0</a>
+ unless otherwise noted.
+ </div>
</div>
</body>
</html>
--
cgit v1.2.3-54-g00ecf